With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Billie Eilish, Hit Me Hard and Soft
The alt-pop songwriter’s intricate third full-length collaboration with her brother FINNEAS explores what it means to grow up in public and find one’s voice, both literally and figuratively.
Crumb, AMAMA
On their third LP, the Brooklyn-based quartet continues to experiment with rhythm as they find their niche within the neo-psych space.
Knocked Loose, You Won’t Go Before You’re Supposed To
After developing their confidence and honing their sound over the course of a decade, the Kentucky hardcore quintet pushes boundaries in a big way on their third full-length.
Margaret Farrell
Marking the end of the PC Music era, the three-disc album is a mystifying project that goes beyond Cook’s evolving aesthetic as it traverses the past, present, and future.
Darker, thornier, and bolder than its predecessors, the Dublin-based rockers’ third album leans on Greek mythology to spin its own tales about love’s labors.
Shane Lavers captures the awe and unease of humanity’s impermanence on his debut album of dissociative dream pop.
Marie Ulven’s revved-up sophomore LP is both fun and uncomfortable, a poperatic portrait of the artist fucking up and learning in real time.
Kieran Hebden magnifies his newfound dexterity with rave-ready recordings and ambient ballads while maintaining a familiar sense of consistency.
With only two songs currently to their name, the London dance-punk experimentalists discuss the infinite possibilities their future might hold ahead of taking the stage at FLOODfest this week.
The Belgian musician’s solo debut interprets loss through electronic sounds as Pupul processes new sensations experienced in his late mother’s homeland of Hong Kong.
The 66th edition of the ceremony was packed with memorable performances, powerful speeches, and questionable wins.
Their third full-length in four years captures the Toronto garage rockers at their most vigorous and imperfectly comforting.
With his self-titled third album arriving this week, the post-punk revivalist shares how everything from a lingering fear of death to a diverse set of musical influences found their way into the LP.
Nearly three decades after its release, the second and final album from Poly Styrene’s formidable punk troupe gets a new life—although its prophetic lyrics prevent it from ever falling out of relevance.
The English alt-R&B musician’s timeline-warping sophomore release is a celebration of connection through movement.
With the Canadian group’s LP Who Will Cut Our Hair When We’re Gone? turning 20 over the weekend, we look back on how the cult project was not only fantastical, but also prophetic.
Jemina Pearl and Nathan Vasquez reflect on the healing journey that resulted in the Nashville punks’ third record—and first as full-fledged adults—Mommy.
With their first release on 4AD, the curious quartet tease gripping fragments of their unfathomable world with their strangest and most diverse-sounding project to date.
The producer/songwriter breaks down the themes of her sophomore LP MYCELiUM while advocating for the representation of Black women in EDM.
The songwriter and Euphoria actor’s sophomore record feels more grounded and mature than his debut without losing his no-bullshit charm.
A video for new track “Devotion” lands before the LP drops tomorrow via Transgressive.
The OST drops July 21 to coincide with the movie hitting theaters.
The follow-up to 2020’s What Could Possibly Go Wrong is out July 7 via Columbia Records.