The largest planetarium in the Western Hemisphere in Jersey City was transformed into an immersive, kaleidoscopic light and sound experience.
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The largest planetarium in the Western Hemisphere in Jersey City was transformed into an immersive, kaleidoscopic light and sound experience.
Words: FLOOD Staff
Photos: Matt Grubb and Hunter Abrams
Words: Will Schube
Photos: Sheva Kafai
Words: Lily Moayeri
Words: FLOOD Staff
Photos: Wilson Lee
Words: Mike LeSuer
Photo: Sarah Heiseman
Words: Kevin Crandall
Photo: Jordan Beckham
Words: Mike LeSuer
Photo: Jaden Da Rosa
Words: Will Schube
Photo: courtesy of Control FREAQ Records/Young Recordings
Words: Will Schube
Photo: Cognito
Words: Will Schube
Photo: Christian Sarkine
Words: Will Schube
Photo: Jaxon Whittington
In our latest digital cover story, siblings Kucha, Zeimani, and BG—along with Daptone Records co-founder Gabriel Roth—walk us through the decade-long journey to their self-titled debut album.
Words: Will Schube
Photos: Sheva Kafai
Filmmakers Tyler Measom and Craig A. Williams discuss their new documentary feature about the Sunset Marquis and its many famous residents over the years.
Words: Lily Moayeri
With the release of Let There Be Love, a career-spanning box set from the Talking Heads offshoot, the duo reflect on Tom Tom Club’s origins, creative evolution, Stop Making Sense, and more.
Words: A.D. Amorosi
Photo: Courtesy Rhino Records
Additional Photos: Michael Grecco
Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Words: FLOOD Staff
Words: Melanie Robinson
Photo: courtesy of MUBI
Words: FLOOD Staff
Photos: Kimberley Ross
Words: Mike LeSuer
Photo: Izzy Kazenbroot Guppy
Words: Mike LeSuer
Photo: Annie Lesser
Words: Mike LeSuer
Photo: Travis Trautt
Words: Mike LeSuer
Photo: Dean Podmore
Words: Mike LeSuer
Photo: Christian Sarkine
Words: FLOOD Staff
Photos: Bella Peterson
Words: Will Schube
Photo: Clémentine Schneidermann
Words: Will Schube
Words: Will Schube
Photo: Olof Grind
Words: A.D. Amorosi
Photo: Courtesy Rhino Records
Additional Photos: Michael Grecco
Taja Cheek’s complex fourth album pushes the boundaries of genre to create something shimmering and otherworldly.
On an emotionally explosive fourth album of catchy quips about crime scenes, the Toronto jangle-pop band shifts from light-hearted procedural stuff to grisly noir.
Bridgers’ voice as a songwriter has only grown more resonant on her first solo LP in six years, characterized by a delicate dance of amorous love and crippling grief.
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