With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
Saintseneca, Highwallow & Supermoon Songs
The cosmic Ohio band’s sprawling fifth album represents the best of the late-’00s indie-folk scene, with Zac Little proving that he very much earns his suspenders.
Florence + the Machine, Everybody Scream
After recent big swings across the pop plate, Florence Welch’s gothic sixth album gets cerebral and probing as the songwriter proves herself to be more in touch with her emotions.
Chat Pile & Hayden Pedigo, In the Earth Again
Destruction and decay may be the themes explored by the unlikely collaboration of a noise-rock band and a folk guitarist, but instrumentally, they make it sound beautiful, lush, and gentle.
A.D. Amorosi
This six-disc collection expands upon the aggression, industrialism, and pernicious lyrics of the duo’s 1983 LP—a revenge, of sorts, on becoming pin-up darlings of the British new wave.
The alt-R&B star’s fifth album embraces existential lyrical concepts to match its dusky jazz-electro sound, industrial ambience, and grouchy fuzzed guitars.
With the oft-rumored electric version of Bruce’s unhappiest album as its centerpiece, this five-disc collection helps to inform the maudlin medicine that fills the songwriter’s new biopic.
Evan Dando finds a middle ground between nostalgia and the present with his grunge-pop outfit’s latest LP, which isn’t any less messily melancholic than the project’s early-’90s peak.
D’Angelo / photo by Rozette Rago
The artist who all but invented “neo-soul” passed away today at the age of 51.
The film’s creator looks back on five decades of the cult classic as it’s further immortalized with a new Ultra HD Blu-ray release and a book of Mick Rock’s behind-the-scenes production photos.
Produced by Sean Ono Lennon, this nine-CD, three-Blu-ray set ties together his parents’ raw, grimy Some Time in New York City LP with a pair of shows at Madison Square Garden.
With her fourth album of punky and provocative raps, the Nuyorican artist is once again reimagining hip-hop as a dangerous place to be.
Coming off a set of North American tour dates with a finale at Riot Fest, the co-founder of the Celtic-rock icons faces down 40 years of Rum Sodomy & the Lash with a smile.
Bauhaus and Love and Rockets co-founder Daniel Ash discusses his grooving, menacing, and bold latest venture and how it represents an artist with nothing to lose.
This 37-track collection celebrates the London-born songwriter’s genius run of crisp, soulful R&B albums in the early ’70s that have gone on to inspire hip-hop production, film soundtracks, and more in the 21st century.
There’s a soft-spun sensuality to Plant’s singing as he duets with Suzi Dian on a collaborative collection of covers including spirituals, blues staples, and haunted contemporary folk.
Despite its VIP guest list, the rapper’s second album is less velvet-rope affair than down-to-earth contemplation, a pavement-to-penthouse-and-back-again journey through love and hip-hop.
Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.
With the aid of Ghost Train Orchestra and Kid Harpoon, Byrne continues his trek across urban prairies to explore our goofball commonalities, the quirks of romance, and his own intimacies.
The London trio go out with a loud, still chic-sounding bang—their final album is a party bus filled with old friends, new pals, and fresh, glittering sounds for a proper send-off.
The Icelandic artist’s third album exposes the nerve of classicism that’s long bubbled beneath her jazzy arrangements and melodies, exploiting the broader possibilities of her voice.
On the heels of her first album since settling her nearly decade-long lawsuit, the artist discusses her journey of self-reclamation and her dedication to ensuring that the next generation of pop stars don’t face the same predation.
The pop star embraces the risqué and ribald double (or triple) entendre on her latest record while sticking to the success-filled formula of last summer’s breakout LP.
Dev Hynes’ guest-filled yet distinctly lonely first album in seven years takes his usual complex arrangements, epic electronica, and intricate melody-making and pushes them into the red.
