With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Billie Eilish, Hit Me Hard and Soft
The alt-pop songwriter’s intricate third full-length collaboration with her brother FINNEAS explores what it means to grow up in public and find one’s voice, both literally and figuratively.
Crumb, AMAMA
On their third LP, the Brooklyn-based quartet continues to experiment with rhythm as they find their niche within the neo-psych space.
Knocked Loose, You Won’t Go Before You’re Supposed To
After developing their confidence and honing their sound over the course of a decade, the Kentucky hardcore quintet pushes boundaries in a big way on their third full-length.
A.D. Amorosi
Remembering the Pogues frontman upon his passing at the age of 65.
The multimedia installation artist discusses his work for the new group show Smoke and Mirrors: Magical Thinking in Contemporary Art taking place at Florida’s Boca Raton Museum of Art through May 12.
With a crisper mix and an expanded tracklist, these live recordings that were once overwrought and overly complex become more bearable—and occasionally effortlessly beautiful.
Q4’s moody sister to the annual April celebration of all-things-physical-music-media arrives on November 24.
The anime giant discusses his new exhibit at NYC’s NowHere where he shares the design work for which he’s renowned and other, more personal and experimental projects.
Packaging together the first six LPs released by the organist-fronted ensemble, this box set reminds us that their funky take on space jazz is otherworldly—for its time, as well as for the present day.
The highlight of this re-release is the inclusion of the former Roxy Music vocalist’s sleekly tasteful lost album Horoscope and a collection of raw, rare session sketches.
On his third album, the jazz-pop songwriter slows his lush, quirky sonic environment’s roll as he expands his lyrical focus to paint a more complex portrait of his social identity.
Mark Mothersbaugh gives us an oral history of his iconic new wave band, from their early-’70s origins on Kent State’s campus to their ongoing tour and various physical career retrospectives spanning vinyl box sets and documentaries landing 50 years later.
The lyrical vision and subtly memorable melodies on the Brockhampton founder’s latest solo LP feel more organic than those of his guitar-strewn hip-hop predecessors.
The music is more vivacious than its making-the-sausage backstory, and at least twice as solid than the last two “last” Beatles songs released in 1995.
This reissue of Prince’s early foray into new jack swing and various R&B trends of 1991 is bolstered by over 30 newly unveiled Vault tracks and a blistering 1992 concert film.
Eric Burton and Adrian Quesada talk reaching a new level of synchronicity on their long-anticipated sophomore album, Chronicles of a Diamond.
The synthpop icons exhibit their rarely witnessed sense of humor on these anxious new takes on old material emphasizing darker, simmering tones.
Ishmael Butler finds company to share his one-of-a-kind vision with on his brief sixth LP, making his quest for new Afrofuturistic frontiers something more communal.
Everything that defined Simone stems from these seven foundational albums, as her time at the Phillips label highlighted the sultry, soulful, and socially protesting heights of her music.
The tales told within the rock icons’ first new set of songs since 2005 speak to age and rage in a fashion that keeps them away from post-millennial blather or elder laments.
The Virginian quintet show off their love of warm, funky jazz and unpredictable fusion-electro while welcoming a team of alt-rap giants into the fold.
This third volume of Mitchell’s Archives series presents an artist’s sketchbook in full: the blossoming of fresh lyrics, vivid arrangements, and a more expansive vocal prowess.
On her fifth solo LP, the experimental harpist, composer, and vocalist finds uneasy solace in the shoegaze sound and goth gauziness of the late ’80s.