Articles by Adam Pollock
Moby, “Everything Was Beautiful, And Nothing Hurt”
Moby’s latest is a bummer, man—albeit a great-sounding bummer.
Kyle Craft, “Full Circle Nightmare”
Craft’s influences of decades-old bombast and glam and down-home folk and blues combine to create a musical atmosphere that feels both modern and familiar.
They Might Be Giants, “I Like Fun”
The duo’s twentieth studio album gives a nod to the variety of musical styles that have been part of the Giants’ palate all these years.
Marilyn Manson, “Heaven Upside Down”
While Manson’s style of hard rock has been both imitated by other acts and eclipsed by other genres since the artist’s heyday in the late ’90s, the prospect of a new MM release is still cause for anticipation.
The OG trip-hopper returns—with help from some Russian rappers.
Alan Vega, “IT”
Like New York back in the day, Vega’s resilience is inspiring—and still a little scary.
Chain & the Gang, “Best of Crime Rock”
Even the simplest songs can benefit from a bit of production.
Moon Duo, “Occult Architecture Vol. 2”
With “Vol. 1” you banged your head; “Vol. 2” is the dance party.
Willie Nelson, “God’s Problem Child”
It would seem that as a well-heeled, seemingly content octogenarian with a legacy approaching mythical status, Nelson wouldn’t need to keep making records, or that he even could still make one as good as this.
Both Sides of the Wall in Berlin
The German capital is a city of dualities and dichotomies.
Moon Duo, “Occult Architecture Vol. 1”
The dexterity with which Moon Duo present seemingly simple riffs belies the complexity of the songwriting—and the difficulty in getting to their destination.
Telefon Tel Aviv, “Fahrenheit Fair Enough” [reissue]
The reissue of the New Orleans IDM duo’s debut is a refreshing reminder of a more cerebral time.
A Weeping Song: Director Andrew Dominik on His Nick Cave Film “One More Time With Feeling”
“It was important to me that none of them were victims of the film.”
Express Yourself: Lee Fields on Life, Love, and Soul
In his mid-sixties and playing for ever-larger crowds, the New Jersey–based soul singer reflects on how he got here.
Sleigh Bells, “Jessica Rabbit”
They may well deliver a pop masterpiece one day, but “Jessica Rabbit” isn’t it.
Honeyblood, “Babes Never Die”
While the Glasgow duo’s debut was a bit more coy, the followup is unabashed in its devotion to the guitar.
Marching Church, “Telling It Like It Is”
On “Telling It Like It Is,” Elias Bender Rønnenfelt enlists the services of members of like-minded Nordic punks in Lower, Hand of Dust, and others.
Dinosaur Jr., “Give a Glimpse of What Yer Not”
Thirty-three years after its formation, Dinosaur Jr. continues to make sublime, rousing rock and roll.