With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Drahla, Angeltape
Their sophomore album sees the Leeds-based trio overcoming grief over instrumental flourishes that recall yesteryear while artfully resisting the lure of entering a time machine.
Chanel Beads, Your Day Will Come
Shane Lavers captures the awe and unease of humanity’s impermanence on his debut album of dissociative dream pop.
Couch Slut, You Could Do It Tonight
Leaning into their lyrical strength of expressing life as we know it as a visceral horror story, the sludge-rockers’ fourth album is equally notable for its unexpected instrumental flourishes.
James Charisma
Pick your battlefield.
He shared some insights as to how the streaming service stays above the current in a changing media landscape.
The cult podcast covering true crime, conspiracy theories, and all things spooky looks ahead to a new book and more live shows.
“The Matrix” made computers cool twenty years ago. “Wick” reminds us how unnecessary they are in making a quality action film.
Zack Snyder’s too-faithful adaptation was a harbinger of things to come—not for ’80s nuclear fears, but for meltdowns by die-hard fanatics.
Forget lusting after your mother or escaping Arnold Schwarzeneggers from the future.
The comics legend talks the future of the medium, twenty-five years of “Spawn,” and creating an upcoming film with the producers of “Get Out.”
As we continue to spin out of control in an era of endless sequels and spinoffs, it’s worth taking a look back on an epic year of science-fiction movies—and remembering what made them so damn good.