With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Full of Hell, Coagulated Bliss
The shapeshifting grindcore collective continue to find new brutal horizons to explore on their expansive yet focused first non-collaborative LP in three years.
Broadcast, Spell Blanket – Collected Demos 2006-2009
The first of two sets of hazy, unfinished recordings from the cult experimental pop band expected this year explores numerous sonic worlds within its lo-fi, homespun arrangements.
The Lemon Twigs, A Dream Is All We Know
The brotherly bubblegum duo continues to channel vintage pop figures ranging from Brian Wilson to Todd Rundgren on their fifth album of exquisite harmonies and contagious melodies.
Jeff Terich
The baddest dudes in Hotlanta know how to find the weird wherever they go.
More than anything, “Goths” seems to operate like an extended love letter to the oft-misunderstood subculture.
“The Far Field,” much like Future Islands albums that preceded it, is a deeply romantic album.
Having conquered a variety of genre albums in recent years, the genre this time around is that there isn’t a genre—just a dedication to the sanctity of the music and music alone.
After their strong debut found them playing to passionate crowds, controversy over the Calgary band’s original name caused them to retreat and regroup. Now they’ve returned with a new name and a second debut record that might be darker—and more powerful—than the first.