Articles by Lydia Pudzianowski
Alex Cameron, “Miami Memory”
Though he spent his last two albums examining despicable male characters, this one spotlights and elevates women.
The Lemonheads, “Varshons 2”
Dando has a keen ear and an encyclopedic knowledge of recorded music, and the selection of songs here spans decades and genres.
Eerie Wanda, “Pet Town”
Much of the album sounds like echoes in an empty room, with percussion provided by hand claps and a drum machine.
The Smashing Pumpkins, “Shiny and Oh So Bright, Vol. 1 / LP: No Past. No Future. No Sun.”
There’s nary a bad vibe to found here, despite all the ragin’ and cagin’ promised by the angsty title.
R.E.M., “At the BBC”
R.E.M. is one the best bands that America has ever produced, and, appropriately, “At the BBC” is an embarrassment of riches.
GØGGS, “Pre Strike Sweep”
“Pre Strike Sweep” is a fireball of an album, blistering from start to finish.
Spider Bags, “Someday Everything Will Be Fine”
No matter who Spider Bags sort of sound like, they always sound like themselves.
The Ophelias, “Almost”
“Almost” is the sound of women comparing notes in the spotlight to create something unusual, beautiful, and wholly relatable.
Andy Jenkins, “Sweet Bunch”
While the album feels appropriate for relaxed, sun-kissed porch listening, it is by no means lazy.
Liz Phair, “Girly-Sound to Guyville: The 25th Anniversary Box Set”
Liz Phair’s debut remains exactly as relatable, smart, and genuine in 2018 as it was in 1993.
Hinds, “I Don’t Run”
Hinds created this record with an agenda—theirs, not yours.
Lucy Dacus, “Historian”
Where her first album was an exploration, this one is a proclamation.
Sunita Mani Defies Comfort Zones
From stilt-walking to viral rap videos, your guess as to where the “GLOW” star will appear next is as good as ours.
Bat Fangs, “Bat Fangs”
Bat Fangs’s “Bat Fangs” marries hair metal and garage rock, equal parts campy and true.
Lived Through That: A Conversation with Hole’s Patty Schemel
The iconic grunge drummer talks about her recent memoir, “Hit So Hard,” and the turbulent years of sex, drugs, and loss that inspired it.
Salad Boys, “This Is Glue”
On “This Is Glue,” much is made of direction and being on the edge of somewhere, a part of something larger. Salad Boys are growing up and getting restless.
Boulevards, “Hurtown, USA”
We’ve all lived in Hurtown, USA, and this album is reason enough to go back.
Duds, “Of a Nature or Degree”
This is spare, nervy music with no strings attached. It’s almost refreshing.