Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Searows, Death in the Business of Whaling
Alec Duckart’s nautically themed second album infuses its emotionally fragile indie-folk with a trudging heaviness that pushes toward doom-metal territory.
Camper, Campilation
Flush with a historic list of Black voices both past and present, the producer’s debut album sees him devise yet another way to remake the wheel of soul.
Alan Vega, Alan Vega [Deluxe Edition]
This remastering of the late Suicide frontman’s wired-weirdly rockabilly debut is bolstered by demos and scratch tracks that offer a rare glimpse into the artistic process.
Margaret Farrell
With massive choruses and dizzying melodies at its heart, Harriette Pilbeam’s third album is a lush and immediate collection of songs that give into time’s fluidity.
The Canadian songwriter transforms uncertainty into something liberating via meandering, arty folk-rock songs greet us like old friends on her third album.
The Canadian electronic duo discusses the unique RPG universe they built for their newly announced fourth record, which arrives September 26.
The Baltimore hardcore collective distills and expands the essence of their breakout 2021 LP, leaning into the tension between explosiveness and a resulting uneasy stillness.
Claire Chicha explains why salmon have become the go-to visual signifier for her debut album, out this week via Because Music.
The psych-pop quartet are churning out some of the most clear-headed fuzz rock of their career, meeting inner turmoil with a funkified grace on their third album.
The Brooklyn quartet furthers their liberated bless-this-mess energy with the soft, cheeky smile of dream pop to provide a go-to soundtrack for driving on the highway with windows down.
Inspired by the Greek god Pan, Haley Fohr’s latest art-pop experiment blends the sinister with the sensual to create something doomy, epic, sentimental, and totally supernatural.
The superstar DJ’s latest EP of hardcore club music is full of campy anthems and immediate mood boosters that blend high fashion with high fantasy.
The visionary artist’s third album embraces rave culture for all of its angels and demons, though the ego-defying journey may be riddled with moments of internal conflict that rupture its matrix.
Chappell Roan, Doechii, Kendrick Lamar, Dawes, and Billie Eilish and FINNEAS brought compassion to the forefront at the 67th annual awards show.
After a series of increasingly amped-up EPs and mixtapes, the provocative Berlin-based producer’s debut album flaunts an air of detachment that makes for a confounding listen.
Lucie Murphy’s sophomore album Hell or High Water arrives October 4.
On the follow-up to her 2019 debut, the synth-funk songwriter unravels expectations with a series of romantically grand pop ballads steering clear of cliché.
On their sophomore release, the LA grungegazers balance morbid sentiments with pop melodies and massive highway distortion as they explore how grief calcifies memories.
The Norwegian songwriter talks making sense of the pain and anger of the modern world through her prodding new record, What Happened to the Heart?.
Marking the end of the PC Music era, the three-disc album is a mystifying project that goes beyond Cook’s evolving aesthetic as it traverses the past, present, and future.
Darker, thornier, and bolder than its predecessors, the Dublin-based rockers’ third album leans on Greek mythology to spin its own tales about love’s labors.
Shane Lavers captures the awe and unease of humanity’s impermanence on his debut album of dissociative dream pop.
Marie Ulven’s revved-up sophomore LP is both fun and uncomfortable, a poperatic portrait of the artist fucking up and learning in real time.
