With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Chuck Strangers, A Forsaken Lover’s Plea
Chronicling both his upbringing in Brooklyn and a dissolved romance, the Pro Era veteran’s second full-length is an exercise in refined melancholy.
Tierra Whack, World Wide Whack
The celebrated Philadelphia rapper’s debut full-length is made up of masterpieces in miniature—two- to three-minute songs intimate in their scope and spare in their production.
Kacey Musgraves, Deeper Well
The pop-country superstar leans into her homespun folk roots with mournful grace and the tiniest teardrop of tenderness, though the result is oddly lofty and often trite.
Maria Lewczyk
If we’re due for another wave of emo soon, we’re looking somewhere colder than Eastern Pennsylvania.
Along with a playlist curated by the band, Austin Getz goes deep on his newfound love of jazz.
The Title Fight vocalist juggles his internal and external worlds on “Looking Through the Shades,” his debut LP for ANTI-.
Frontman John Galm opens up about his struggles with mental illness and how he channeled it into his current project’s new album, “strength.”
It’s fun, it’s frivolous, it’s insightful.
With “Panorama” marking the Grand Rapids emigrants’ first album in five years, Dreyer tells us what set the project into motion.
Debut album “Crush on Me” explores maturity, queer identity, and how it all relates to the frosted pink, hardcore world we live in.
Saturn is the center of our universe, and gothbois love it.
“Better Oblivion Community Center” is a folk rock album that proves Conor Oberst and Phoebe Bridgers to be perfect singing companions.