With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Molly Tuttle, So Long Little Miss Sunshine
Once again demonstrating her command of genre and lineage, the bluegrass songwriter’s turn toward pop is less a rejection of her roots than an expansion of her worldview.

Fuck Money, Fuck Money
Leading with distortion and chaos, the Austin group’s debut is a 22-minute cataclysm of hardcore punk and harsh noise that distills the anti-capitalist ethos of their moniker.

Dijon, Baby
On the follow-up to his 2021 debut, Dijon Duenas lays glitchy, psychedelic textures atop his familiar alt-R&B sound to evoke a fractured internet-like aesthetic that’s often mesmerizing.
Perry Kostidakis

Vampire Weekend / photo by Carlo Cavaluzzi
As the Chicago-set music festival ages, its audience appears to be getting younger.

Flying Lotus at FORM Arcosanti 2018.
In its fourth year, the Hundred Waters–curated weekend proved once again what sets it apart from major music festivals.

Lil B
In typical Florida fashion, there was very little that could be considered “normal” at Miami’s preeminent arts and music fest.