With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Chanel Beads, Your Day Will Come
Shane Lavers captures the awe and unease of humanity’s impermanence on his debut album of dissociative dream pop.
Couch Slut, You Could Do It Tonight
Leaning into their lyrical strength of expressing life as we know it as a visceral horror story, the sludge-rockers’ fourth album is equally notable for its unexpected instrumental flourishes.
The Libertines, All Quiet on The Eastern Esplanade
Almost 30 years into their existence, the post-punk revivalists let listeners know that their youthful fire hasn’t dimmed on their fourth, most tightly wound album.
Trilby Beresford
“Lean on Pete” projects the English director’s empathetic voice to his largest American audience yet.
The screenwriter reflects on the messiness of truth and memory, and how he worked to build a story that encompassed everyone’s point of view.
The “Moonlight” actor reflects on the difficulty of hurting someone you love.
In the Bay Area director’s debut, which premiered at the Tribeca Film Festival in April and is now getting a digital release, a pair of Jordans is worth more than its price tag.
Netflix’s non-romantic rom-com finds love on its own terms.