The Best TV of 2017

Ten shows that kept us watching, through binge and cringe.

The Best Films of 2017

Ten movies that defined the year, for better or for worse.

Easy Rider: Gemma Thompson of Savages Goes Behind Her Score for “Along for the Ride”

The Savages guitarist walks us through the making and spirit of her score for Nick Ebeling’s new Dennis Hopper documentary.

Rob Huebel Has a Question for You

You’ve seen him everywhere, but you still might want to be careful following Rob Huebel into the woods in his new YouTube Red comedy series, “Do You Want to See a Dead Body?”

Congratulations Tim and Eric on Your Ten-Year Anniversary, Great Job!

Back before Weird Internet was truly a thing, Tim Heidecker and Eric Wareheim were practically swimming in it. Ten years after they changed comedy, we look back on the making and legacy of “Awesome Show, Great Job!”

Jenny Jaffe Will See You Now

The creator and star of IFC’s webseries “Neurotica” is here to help you deal.

But What Do They Really Do in the Shadows?: A Brief History of Empathy in Vampire Film

Biography, allegory, and satire give voice to a severely misunderstood entity.

The Coppolas, Ranked

Oscars, Schmoscars. We’ve got the real winners of the family right here.

Announcing FLOOD 7, Available Now for Purchase and Free Download

Our latest print edition features Miguel in conversation with Pussy Riot’s Nadya Tolokonnikova, and an in-depth chat with artist Sage Vaughn.

Reconsidering Rear Window Ethics in TV’s First Golden Age

What we can learn about obsession, voyeurism, and coaxploitation from watching Jimmy Stewart watch TV.

What “The Big Sick” Teaches Us About Being Young and Chronically Ill

Emily V. Gordon and Kumail Nanjiani’s film isn’t just about loving your partner.

In Conversation: Sarah Adina Smith on Motels, Beautiful Accidents, and “Room 104”

The celebrated indie auteur looks to make her mark in television on Mark and Jay Duplass’s HBO anthology series.

Meet the FLOOD Festival Guide, Presented by Toyota C-HR

Featuring in-depth stories on Hundred Waters, Buff Monster, Vince Staples, and Demetri Martin, in addition to our picks and tips for this year’s festival slate.

Taking Stock of “The Human Surge”

Eduardo Williams’s latest film reads like Linklater’s “Slacker” for the global post-Internet age.

Trends and Enemies: The Obsessions of Matt Spicer’s “Ingrid Goes West”

The director of the Aubrey Plaza–led Internet thriller talks Instagram, mental health, and Los Angeles.

All the Band Shirts Worn by the Baby Anarchist in “GLOW,” Ranked

Ready, steady, go.

In Conversation: Hans Zimmer Wasn’t Made for Pop Music

One of the planet’s most experimental film composers gets out from behind the boards for Dunkirk, a live tour, and more.

An Ode to Melanin: Making Space for “Brown Girls”

Fatimah Asghar and Sam Bailey’s web series—soon to be adapted by HBO—offers one of the most compelling and honest portrayals of women of color on screens of any size.

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