“The New Negroes” Takes the Black Renaissance to Comedy Central
Open Mike Eagle and Baron Vaughn’s new show presents a platform for black, left-of-mainstream acts.
Investigating Jena Friedman’s Deadpan Brand of Feminist Humor
The comedian and “Soft Focus” creator talks sexual harassment in gaming, how to joke about topics like campus rape, and sitting down with John McAfee, who was surrounded by guns.
In Nick Broomfield’s “Marianne & Leonard,” Cohen’s Muse Finally Gets Her Day in the Sun
The documentarian speaks about his deep-dive into the famous couple’s fraught romantic history.
Speaking with Satanic Temple Co-Founder Lucien Greaves at Sundance Made Me Want to Join His Reasonable Religion
“Hail, Satan?” premiered at Sundance last weekend. But don’t worry—these guys don’t actually worship Satan.
Deleting the Male Gaze: Isa Mazzei Gives Horror an Upgrade in “Cam”
A former camgirl flipped the script in writing and co-creating a new horror flick inspired by her own experiences, available now on Netflix.
Children of Women: Yalitza Aparicio and Marina de Tavira’s Trip to “Roma”
Alfonso Cuarón’s follow-up to “Gravity” is Netflix’s first big play for Best Picture. Its star had never acted before.
D’Arcy Carden Will Tickle Your Funny Bone
The actress best-known as a bubbly tour guide in heaven is learning a lot from playing non-human.
Paul Dano and the Importance of Being Earnest
Our FLOOD 9 cover story on the offbeat (and oft-beat) actor and first-time director.
Colluding with Rob Rogers and Tenacious D’s Jack Black and Kyle Gass
Our FLOOD 9 cover conversation between ex–Pittsburgh Post-Gazette political cartoonist and an irreverent rock duo.
Deerhoof’s Ed Rodriguez Is a Very Easy Scare
The experimental rock vets put their spin on two creepy classics from “The Shining”’s soundtrack—and Rodriguez, who took the helm on the project, might have been the most spooked out of everyone involved.
Soul Skaters: The Young Stars of “mid90s”
The five leads of Jonah Hill’s new film are, for the most part, skateboarders first and actors second. But being a skater doesn’t mean just one thing anymore.
Haddonfield, Revisited: John Carpenter’s Walk Back to “Halloween,” Forty Years Later
What many consider the scariest movie ever made started as a casual idea tossed out to a young filmmaker who understood the terror inherent within our own homes. That filmmaker also knew how to play the synthesizer.
In Conversation: Bing Liu’s Skate Doc “Minding the Gap” Is About a Lot More Than Skating
The first-time filmmaker on becoming a documentarian-of-all-trades—and trying not to miss anything.
365 Crazy Nights: Wrapping Up #YearOfSandler with Eloy Lugo
Talking Sand™ with the comedian’s most devoted fan, who most recently pledged his allegiance by watching a Sandler movie every day for a year.
The New Breed of Collaborative Filmmaking in “Madeline’s Madeline”
Filmmaker Josephine Decker and breakout star Helena Howard discuss instinct, improv, and the power dynamics of a director-actor bond.
Please Consider Megan Amram (For Something)
The Twitter maven, comedian, and writer for “The Good Place” has been awards-scheming with her webseries “An Emmy for Megan.”
Will the Real Gus Van Sant Please Stand Up
On the inscrutable filmmaker’s career, his penchant for troubled, self-medicating men, and his biopic on cartoonist John Callahan.
Soundtracking the Domestic Horror of “Hereditary” with Colin Stetson
With A24’s latest triumph now in theaters, Stetson walks us through his collaboration with director Ari Aster and the film scores that have shaped his work.