FLOOD

Their sophomore album sees the Leeds-based trio overcoming grief over instrumental flourishes that recall yesteryear while artfully resisting the lure of entering a time machine.

Shane Lavers captures the awe and unease of humanity’s impermanence on his debut album of dissociative dream pop.

Leaning into their lyrical strength of expressing life as we know it as a visceral horror story, the sludge-rockers’ fourth album is equally notable for its unexpected instrumental flourishes.