With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
Prince & The Revolution, Around the World in a Day [40th Anniversary Edition]
Besides its crystal-clear sound, the draw for this expanded singles collection is its curios such as the 22-minute “America” and Prince’s serpentine contribution to the We Are the World album.
La Luz, Extra! Extra!
Reworking tracks from 2024’s News of the Universe LP, Shana Cleveland emphasizes themes of change, non-determinism, and acceptance on an EP that aptly feels a little lonely.
The Durutti Column, The Return of The Durutti Column [45th Anniversary Edition]
This reissue of the art-rockers’ 1980 debut may not come with the sandpaper sleeve it had upon its initial release, yet that doesn’t make its haunting, all-instrumental music any less abrasive.
Mischa Pearlman
Named in reference to the death toll in Gaza, the post-rock pioneers’ ninth full-length sounds like a requiem to the world as it is today—albeit one permeated by rays of occasional light.
Frontman Justin Buschardt also talks revisiting the track from the band’s debut album, as well as the early material they plan on releasing in a new compilation.
Sitting more in the pop-rap space than anything Low previously explored, Sparhawk’s solo debut is as much about the joy of creation as it is the sorrow that preceded it.
The joyful punk-rock explosion that is John Reis’ latest LP serves as a fitting send-off for his longtime partner-in-crime, Rick Froberg.
Avery Mandeville’s third album balances nuance, humor, and heart while leading her New Jersey band through everything from stadium pop to broken-hearted country to cathartic grunge.
Leading up to their second LP, birdwatching, Briana Wright and Joey Duffy tell us how their latest track plays into the record’s broader theme of self-improvement in a deteriorating world.
With the indie label that launched the careers of DFA 1979, Metric, and more celebrating two decades, we spoke with label manager Chris Moncada about how they’ve grown without really changing at all.
The new supergroup featuring members of Mineral, Boys Life, Christie Front Drive, and more will release their self-titled debut on August 30 via Spartan Records.
The long-running New Jersey emo project harks back to the desperate, youthful energy of their earliest output with more profundity, introspection, and consideration in their lyrics.
The Birmingham-based songwriter’s latest is an intense tug of war between light and dark, which ultimately soundtracks the healing of scars and the gathering of strength.
The native New Yorkers (for now) will release A Paradoxical Theory of Change, their sophomore album for Fat Wreck Chords, on June 28.
Returning to his roots in jazz, the songwriter revisits familiar standards of the genre with a perfect combination of respect and reinvention.
The debut solo album from Portishead’s vocalist poignantly straddles a divide between the bucolic and the experimental, past and the present, youth and older age.
The punk outfit’s hallmarks remain as powerful as ever on their guest-heavy tenth record, which feels less like a swan song than a reassertion of intent.
The Pernice Brothers and Grandaddy songwriters share a profound love of biking, so we got the pair to talk about that. And they did. A lot.
Brian McTernan’s hardcore endeavor shares their first new music since their 2022 Hello Sun EP, with both tracks out now via Equal Vision Records.
Punk rock’s premiere cover band/trolls will release the full performance under the title Blow It…at Madison’s Quinceañera on June 14 via Fat Wreck Chords.
The set took place on November 18 as the Minneapolis-based indie-pop outfit was touring their then-new release.
Playful but serious, retro but thoroughly modern, Lizzie Killian sets her insecurities to melodies that belie their ’90s-sourced inspiration on her debut album.
Challenging and confrontational, both hardcore-punk bands on this split EP manage to capture the violence of life on a dying planet while offering hope that all’s not lost.
