Nicholas Braun Talks “Antibodies,” the Song of the Non-Summer
The “Succession” actor is using his first proper foray into music as a means to help underserved communities fight COVID-19.
In Conversation: Alejandro Jodorowsky on the Intersection of Art and Healing
The Chilean-French artist moves from the screen and the page to the human body with his new film, “Psychomagic: A Healing Art.”
In Conversation: Nate Wonder and Roman GianArthur on the Heartbeat of “Antebellum”
The composers of Janelle Monáe’s newest film discuss the project, as well as their origins in the Wondaland Arts Society.
Michael Stipe, Flea, and Rain Phoenix Remember River Phoenix on What Would Be His 50th Birthday
In honor of River’s birthday, his sister Rain reveals two new Aleka’s Attic tracks with the vinyl release of “Alone U Elope.”
In Conversation: Amy Seimetz on the Fears Behind Her Unsettling Film “She Dies Tomorrow”
The new film starring Kate Lyn Sheil is now streaming.
In Conversation: Director Hirokazu Kore-eda on Border-Crossing with “The Truth”
The Japanese director talks about his English (and French) language debut.
Behind the Music That Drives “Killing Eve”
We spoke with composer David Holmes from Unloved and music supervisor Catherine Grieves about the show’s killer soundtrack.
In Conversation: The Stars of the Original “Valley Girl” Movie Reunite
Deborah Foreman, E.G. Daily, and Heidi Holicker reunite to chat with the writer of the new musical adaptation
In Conversation: Paul Mescal on the Intellectual and Emotional Intricacies of “Normal People”
The young Irish actor dissects Hulu’s new series based on the Sally Rooney novel.
PLAYLIST: Disq’s Songs To Cry To
With their upbeat debut dropping this Friday, the Madison post-punks share their favorite weep-tunes.
In Conversation: Noémie Merlant Captures the Gaze of a Painter in Love for “Portrait of a Lady on Fire”
The star of Céline Sciamma’s smoldering queer romance details her experience on set.
Floria Sigismondi, Goddess of Grotesquery
The Canadian-Italian music video director on her career and second feature film, “The Turning.”
In Conversation: Fatima Al Qadiri on Her Haunted Digital Score for Mati Diop’s “Atlantics”
On her first soundtracking experience, decolonizing art, and why an electronic film score is so unique.
“Knives Out” Collaborators Rian and Nathan Johnson on Powering a Modern Whodunit
The cousins discuss inverting genre tropes, their first embarrassing movie, and the evergreen influence of “Columbo.”
Glenn Howerton on Why “It’s Always Sunny” Never Got Huge Accolades—and Why That’s OK
Howerton explains how “Sunny” is “the Phish of shows” before its record-tying fourteenth season’s finale.
The Purchase of The Egyptian: Why Netflix Needs a Pyramid
Is the acquisition of an iconic Hollywood theater by a streaming giant another sign of the demise of cinema, or the new status quo?
Lisa Edelstein Talks Grief, Comedy, and the In-Between in “The Kominsky Method”
The show’s second season is now streaming on Netflix.
Director Alma Har’el on the Therapeutic Nature of “Honey Boy”
Based on a true story written by Shia LaBeouf while in rehab, the film was both triggering and cathartic for the creative team.