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A.D. Amorosi
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Reviews
Max Roach, “We Insist! Max Roach’s Freedom Now Suite” [Reissue]

The drummer-composer’s 1960 rebirth LP remains one of the finest expressions of what it means to confront racial injustice in jazz or any other genre.

March 25, 2024
Art & CultureIn Conversation
The Eyes Have It: Mark Mothersbaugh on Focusing in on the Iris with “Apotropaic Beatnik Graffiti”

In the midst of Devo’s 50th anniversary tour, their frontman discusses his new art book documenting his eye-centric paintings and Beat-inspired stream-of-consciousness writing.

March 20, 2024
Reviews
Gary Clark Jr., “JPEG RAW”

After experimenting with primal psychedelia and Prince-esque pop-funk on 2019’s This Land, the Austin blues songwriter’s fourth album is wondrously diverse in all the right places.

March 20, 2024
Reviews
Kacey Musgraves, “Deeper Well”

The pop-country superstar leans into her homespun folk roots with mournful grace and the tiniest teardrop of tenderness.

March 14, 2024
Reviews
John Lurie, “Painting with John”

The soundtrack to the avant-garde jazz composer’s HBO series is guided by spirits divine and self-determined whose overall effect is shapeless, cluttered, and serene.

March 13, 2024
Reviews
Can, “Live in Paris 1973”

The latest installment from the experimental ensemble’s live series revisits a May 1973 set at Paris’ L’Olympia where the band stretched out with noisy jam-like elasticity and hypnotic density.

March 07, 2024
Reviews
SAVAK, “Flavors of Paradise”

Adding to their signature angled rhythm, Brooklyn’s jagged-alt supergroup explores spaciousness and dedication to melody on their sixth release.

March 06, 2024
Reviews
Mary Timony, “Untame the Tiger”

The indie-rock icon’s first solo album in nearly 20 years applies her early material’s magical-realist melancholy to real-life grief with unexpected directness.

March 05, 2024
Reviews
Thundercat, “Apocalypse” [10 Year Anniversary Edition]

In celebrating 10 years of funky compositional invention and soulful emotion, Stephen Lee Bruner offers an extended look at his first major-chord masterpiece.

March 04, 2024
Frankie Staton on Building a Future for Black Country Musicians

The songwriter and co-founder of the Black Country Music Association talks building community, compiling her debut album, Beyoncé’s country turn, and more.

February 29, 2024
Reviews
Chromeo, “Adult Contemporary”

Leaning into mellower vibes and a sound far less overproduced than their recent material, the electro-funk duo’s mature, sultry sixth LP comes off as a bit of a surprise.

February 23, 2024
Film + TV
Animation, Bossa Nova, and Fascism: Director Fernando Trueba Talks “They Shot the Piano Player”

The Oscar-winning filmmaker discusses his new animated investigation into the life of disappeared Brazilian jazz musician Francisco Tenório Júnior, co-directed by Javier Mariscal.

February 23, 2024
Reviews
Laura Jane Grace, “Hole in My Head”

The former Against Me! vocalist returns to the business of blisteringly blunt and spare rock music with elements of her COVID-era folk efforts captured in what often feels like a rough haste.

February 20, 2024
Reviews
Helado Negro, “PHASOR”

On his eighth album, Roberto Carlos Lange reaches deeper within the self while tying the project further to electronic music as he manipulates it to suit the emotional lyrical output.

February 16, 2024
In Conversation
serpentwithfeet on Tightening His Loving with “GRIP”

The alt-R&B innovator discusses his way with sensual, emotional songwriting ahead of the release of his third LP.

February 14, 2024
Reviews
Sonic Youth, “Walls Have Ears”

Documenting a pair of 1985 London shows, this long-bootlegged double-LP offers an early look at the playfulness and boundary-testing the no wave icons would soon perfect on EVOL.

February 14, 2024
Reviews
Paul McCartney and Wings, “Band on the Run” [50th Anniversary Edition]

Celebrating 50 years with a bonus rough mix of the LP, McCartney’s third album with his post-Beatles band captures a man looking to outpace his immediate past while borrowing from its glories.

February 12, 2024
Reviews
Lee “Scratch” Perry, “King Perry”

Released posthumously with the production assistance of Tricky, the producer-toaster’s final statement is a collection of seamless collaborations and chic synthwave.

February 06, 2024
Film + TV
A Conversation with Dancefloor Murderess Sophie Ellis-Bextor

With her 2001 disco single going viral after soundtracking the bold finale to Saltburn, the songwriter explains how this newfound attention precedes a return to a love of dance music.

February 05, 2024
Reviews
90 Day Men, “We Blame Chicago”

Backed with liner notes from Tim Kinsella, this career-spanning comp unites the project’s three studio albums of ragingly ornamented and searingly rarified post-punk with previously unissued tracks.

February 05, 2024
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