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Photos: Lexie Alley
Words: Kyle Lemmon
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Creative director Mary Banas and photographer Lexie Alley examine the Tansy House aesthetic and various influences that slink out of Mitski’s eighth album like playful cats.
Words: Kyle Lemmon
Photos: Lexie Alley
Words: FLOOD Staff
Photo: Alison Wonderland
Words: Mike Wass
Photos: Carianne Older
Lighting Design: Jesse Tam
Words: Soren Baker
Words: Will Schube
Photo: Joshua Mellin
Words: Will Schube
Photo: Kate Ellen Meakin
Words: FLOOD Staff
Words: Mike LeSuer
Words: Mike LeSuer
Photo: Alexi Hobbs
Words: Mike LeSuer
Photo: Joshua Halling
Words: Mike LeSuer
Photo: Candice Lawler
Creative director Mary Banas and photographer Lexie Alley examine the Tansy House aesthetic and various influences that slink out of Mitski’s eighth album like playful cats.
Words: Kyle Lemmon
Photos: Lexie Alley
In our latest digital cover story, the Belgian DJ discusses the long road to her debut album, the early clubbing memories that inspired it, and the evolution of techno in the hands of a more diverse scene.
Words: Mike Wass
Photos: Carianne Older
Lighting Design: Jesse Tam
With input from the Beastie Boys’ Ad-Rock and Run-DMC’s Darryl “DMC” McDaniels, the pioneering visual artist discusses his career from being a fixture of NYC’s downtown graffiti scene in the early 1980s to developing artwork for Def Jam’s biggest titles in the ’90s to his current high-profile brand campaigns.
Words: Soren Baker
Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Words: Mike LeSuer
Photo: St.Teilo
Words: Mike LeSuer
Photo: Bohenne Arreaux
Words: Mike LeSuer
Photo: Audrey Hertel
Words: Will Schube
Photo: Rosie Cohe
Words: A.D. Amorosi
Photo: Linda McCartney, MPL Archive LLP
Words: Will Schube
Photo: Alexa Viscius
Words: Will Schube
Photo: Xander Lewis
Words: Mike LeSuer
Photo: Elise Bergmann
Words: Will Schube
Photo: Justin Cook
Words: FLOOD Staff
Photos : Pooneh Ghana
Additional photos: Blair Brown
Words: Will Schube
Photo: DAVID JAMES SWANSON
Words: FLOOD Staff
Words: Will Schube
Photo: Lindsey Byrnes
Gently playful with a fire burning underneath, the artist’s first record in seven years signifies her devotion to the craft of making music, whether the light in her career is burning bright or dim.
The debut album from Midwestern bedroom-pop songwriter Chase Walsh consistently feels authentic as it addresses grief and anxiety as universal truths.
The experimental songwriter maintains the haunting delicacies of acoustic guitar and piano on a more fluid third album, while just as frequently counterweaving billowing distortion.
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