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13

The Tenth Anniversay Issue

Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.

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Arlo Parks, Ambiguous Desire

Vulnerability is baked into the heartbeat of the British songwriter’s third album with an aching groove lifted to new levels courtesy of the ecstasy of dance music.

José González, Against the Dying of the Light

With his fifth album, the Swedish songwriter considers his deepest of existential queries while maintaining the effervescent, seductive sound that’s the strongest through line in his career.

Courtney Barnett, Creature of Habit

Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
A.D. Amorosi
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2014. Shabazz Palaces “Lese Majesty” album art.

Reviews
Shabazz Palaces, “Lese Majesty”

Like Zora Neale Hurston floating existentialist word-jazz over elastic skronk from Sun Ra’s Arkestra, the newest album from Ishmael Butler (Butterfly, of Digable Planets) and multi-instrumentalist Tendai Maraire is far more scintillatingly experimental than its predecessor, Black Up.

July 29, 2014

2014. Eno * Hyde, “High Life” album art.

Reviews
Eno * Hyde, “High Life”

The lizardy charms of “Baby’s On Fire,” the blissful “I’ll Come Running,” the jazzy, energized harmonies of Wrong Way Up: it is this Eno that appears throughout High Life.

July 01, 2014
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