Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 features 252 pages packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Depeche Mode, Memento Mori: Mexico City
The live album tied to the new-wave icons’ new concert film shows how a lifelong band persists through loss while maturing their dusky music and a deep connection to their audience.
Prince & The Revolution, Around the World in a Day [40th Anniversary Edition]
Besides its crystal-clear sound, the draw for this expanded singles collection is its curios such as the 22-minute “America” and Prince’s serpentine contribution to the We Are the World album.
La Luz, Extra! Extra!
Reworking tracks from 2024’s News of the Universe LP, Shana Cleveland emphasizes themes of change, non-determinism, and acceptance on an EP that aptly feels a little lonely.
A.D. Amorosi
The third and final installment of his vintage psych-soul trilogy sees the songwriter bring the large history of Brazil into a tight narrative revolving around young love and class struggle.
The teen songwriter’s posthumous debut is as goofy, sinister, and sing-song-y as you might expect from someone who worked closely with Wayne Coyne at an impressionable age.
On her third LP, the Berlin-via-UK songwriter rediscovers her roots as a lyricist and as a vocalist within the roomy ambience that the finest moments of the record provide.
With the help of guest vocalists including Robyn, Fever Ray, and Alison Goldfrapp, these clubby studio versions of the Norwegian duo’s recent live set push them further into the flame.
From multi-album boxes from Sun Ra, Prince, and Warren Zevon to live Gracie Abrams vinyl and RSD 2025 Ambassador Post Malone doing Nirvana—here’s the best of this spring’s crop.
This ghostly collaborative album with spoken-word artist Barratt finds the Roxy Music leader digging his own crates for old demos and warped melodies that went unused until now.
Revisiting their mean, lean follow-up to their ill-fated AOI trilogy, this anniversary package features winning never-before-heard oddities and bone-stripped instrumentals for the DJ elite.
Cleaned up with a new Dolby Atmos mix, Ralf Hütter and Florian Schneider’s first foray into pure electronics is still recondite and abstruse (and louder) without sounding superficial.
The German music innovator discusses his journey from playing in the original iteration of Kraftwerk to bringing live sounds to Los Angeles’ Intuition Festival this weekend at The Broad.
The Chicago-based soul artist finds the funk in digitized-disco on his third album, radiating a glow only known to those who live life on illuminated dance floors.
Recorded in remembrance of the victims of the Armenian genocide, the quartet’s work with the documentarian-composer is at turns gorgeous, brutal, and awe-stricken.
The Walkmen vocalist finds an exquisite balance of raspy, lounge-lizard crooning and angsty art-rocking on a solo album full of distressed lyricism and black humor.
The pop star’s latest album is chaotic by design, blending elements from across her career to craft something you can dance to, swoon with, and don black eyeshadow for.
Written in dedication to the smoldering spirits of Verdi and Puccini and the bleak words of Byron, the songwriter’s Requiem-Mass dirge doomily portrays death’s gutting solitude.
Remembering the trailblazing New York Dolls singer, who passed away Friday at the age of 75.
On her solo debut, the Mascott songwriter carries on the tradition of vow-busting break-up albums with lush and folky new components added to her band’s indie-pop sound.
Replacing sequenced mechanical instrumentation for blunter analog rhythms, Noah Lennox tunes his ears to the charts on his latest release, which is anything but sinister.
An organic procession from last year’s GRIP, the alt-R&B artist brings more questions of intimacy to six new tracks in addition to reworking three cuts from SEQUEL’s predecessor for maximum sensuality.
Filmmaker Eva Aridjis Fuentes tells us about tracking down the enigmatic “Goodbye Horses” singer for her new doc on the late songwriter’s “many lives.”
Celebrating 30 years of these stark live recordings with lo-fi pop covers from the likes of Current Joys, Casino Hearts, and Brad Stank, this comp overlooks most of the release’s key tracks.
