With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.

Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.

yeule, Evangelic Girl Is a Gun
The London-via-Singapore alt-pop songwriter continues to experiment on their fifth album, with the heaviest and weirdest moments also feeling the most authentic and energizing.
Adam Davidson

The new slasher’s co-directors discuss accepting advice from Guillermo del Toro, inspiration from Shaun of the Dead, and approval from The Rizzler.

The writer/director of the new Stephen King adaptation discusses incorporating his own personal tragedies into the script, paying tribute to David Lynch, and more.

The SNL alum discusses his directorial debut, a comedic alternate history of all our worst Y2K-incited fears coming to fruition.

The songwriter discusses her debut album, the power of dreams, and what fans can expect from her upcoming headlining tour.

The new film’s director, co-star, and composer discusses genre convention, financing, and some of the lessons he’s learned about directing throughout his career.

We spoke with the British actor about Bertrand Bonello’s new three-timeline epic and its prescient look at the dangers of artificial intelligence.

The film’s writer/director and star discusses his surrealist directorial debut for A24, the subconscious influence of Miyazaki, and working with Tilda Swinton.