With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Mister Romantic, What’s Not to Love?
John C. Reilly’s latest role as a lonely vaudevillian singer of Great American Songbook standards sees him unwrap each melody and lyric without irony or snarky dispatch.

Matmos, Metallic Life Review
Composed entirely from the vibrations of metal objects, the compact experimental duo’s new anticapitalist allegory is as unique a prospect as a fingerprint.

Turnstile, Never Enough
The Baltimore hardcore collective distills and expands the essence of their breakout 2021 LP, leaning into the tension between explosiveness and a resulting uneasy stillness.
Adam Davidson

The new slasher’s co-directors discuss accepting advice from Guillermo del Toro, inspiration from Shaun of the Dead, and approval from The Rizzler.

The writer/director of the new Stephen King adaptation discusses incorporating his own personal tragedies into the script, paying tribute to David Lynch, and more.

The SNL alum discusses his directorial debut, a comedic alternate history of all our worst Y2K-incited fears coming to fruition.

The songwriter discusses her debut album, the power of dreams, and what fans can expect from her upcoming headlining tour.

The new film’s director, co-star, and composer discusses genre convention, financing, and some of the lessons he’s learned about directing throughout his career.

We spoke with the British actor about Bertrand Bonello’s new three-timeline epic and its prescient look at the dangers of artificial intelligence.

The film’s writer/director and star discusses his surrealist directorial debut for A24, the subconscious influence of Miyazaki, and working with Tilda Swinton.