With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
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bdrmm, Microtonic
Boasting lush electronic soundscapes and complex themes of modern dystopia, the Hull quartet’s third album feels more nuanced than their prior indie-rock discography.
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Panda Bear, Sinister Grift
Replacing sequenced mechanical instrumentation for blunter analog rhythms, Noah Lennox tunes his ears to the charts on his latest release, which is anything but sinister.
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serpentwithfeet, GRIP SEQUEL
An organic procession from last year’s GRIP, the alt-R&B artist brings more questions of intimacy to six new tracks in addition to reworking three cuts from SEQUEL’s predecessor for maximum sensuality.
Adam Davidson
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The writer/director of the new Stephen King adaptation discusses incorporating his own personal tragedies into the script, paying tribute to David Lynch, and more.
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The SNL alum discusses his directorial debut, a comedic alternate history of all our worst Y2K-incited fears coming to fruition.
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The songwriter discusses her debut album, the power of dreams, and what fans can expect from her upcoming headlining tour.
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The new film’s director, co-star, and composer discusses genre convention, financing, and some of the lessons he’s learned about directing throughout his career.
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We spoke with the British actor about Bertrand Bonello’s new three-timeline epic and its prescient look at the dangers of artificial intelligence.
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The film’s writer/director and star discusses his surrealist directorial debut for A24, the subconscious influence of Miyazaki, and working with Tilda Swinton.