With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Adam Davidson
The SNL alum discusses his directorial debut, a comedic alternate history of all our worst Y2K-incited fears coming to fruition.
The songwriter discusses her debut album, the power of dreams, and what fans can expect from her upcoming headlining tour.
The new film’s director, co-star, and composer discusses genre convention, financing, and some of the lessons he’s learned about directing throughout his career.
We spoke with the British actor about Bertrand Bonello’s new three-timeline epic and its prescient look at the dangers of artificial intelligence.
The film’s writer/director and star discusses his surrealist directorial debut for A24, the subconscious influence of Miyazaki, and working with Tilda Swinton.