With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
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The Los Angeles Issue
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Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Adolf Alzuphar
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Reviews
Orchestra Baobab, “Tribute to Ndiouga Dieng”
These are the sort of arrangements that pride themselves on being so elegant that they practically demand an audience get dressed up to meet them.
April 27, 2017
Reviews
Joey Bada$$, “All-Amerikkkan Bada$$”
Any art that pours out of social criticism is an attempt at reorganizing society, and all Joey Bada$$ wants is for his country to respect black lives.
April 26, 2017
Reviews
Ibibio Sound Machine, “Uyai”
There’s a kind of political beauty in the sight of an empowered woman and her band communicating passionately and honestly.
March 03, 2017
Reviews
Syd, “Fin”
“Fin” confidently reinvents a music made for bumping and grooving with a lyrical prowess that burns slowly, confessionally.
February 15, 2017
