With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Glixen, Quiet Pleasures
Compelling yet uneven, the strongest compositions on the Phoenix shoegazers’ sophomore EP are often also the most experimental.
Anxious, Bambi
Calling back to the “big swing” pop-punk records from the turn of the millennium, the Connecticut band’s sophomore release is emotionally intelligent and impressively fine-tuned.
Patterson Hood, Exploding Trees & Airplane Screams
The Drive-By Truckers frontman’s first solo album in over a decade both softens and complicates the alt-country band’s barroom-rock formula, distinguishing itself to mixed results.
Adolf Alzuphar
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Reviews
Orchestra Baobab, “Tribute to Ndiouga Dieng”
These are the sort of arrangements that pride themselves on being so elegant that they practically demand an audience get dressed up to meet them.
April 27, 2017
Reviews
Joey Bada$$, “All-Amerikkkan Bada$$”
Any art that pours out of social criticism is an attempt at reorganizing society, and all Joey Bada$$ wants is for his country to respect black lives.
April 26, 2017
Reviews
Ibibio Sound Machine, “Uyai”
There’s a kind of political beauty in the sight of an empowered woman and her band communicating passionately and honestly.
March 03, 2017
Reviews
Syd, “Fin”
“Fin” confidently reinvents a music made for bumping and grooving with a lyrical prowess that burns slowly, confessionally.
February 15, 2017
