Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Mirah, Dedication
Gently playful with a fire burning underneath, the artist’s first record in seven years signifies her devotion to the craft of making music, whether the light in her career is burning bright or dim.
Worry Club, I’m Freaking Out
The debut album from Midwestern bedroom-pop songwriter Chase Walsh consistently feels authentic as it addresses grief and anxiety as universal truths.
Maria BC, Marathon
The experimental songwriter maintains the haunting delicacies of acoustic guitar and piano on a more fluid third album, while just as frequently counterweaving billowing distortion.
Adolf Alzuphar
These are the sort of arrangements that pride themselves on being so elegant that they practically demand an audience get dressed up to meet them.
Any art that pours out of social criticism is an attempt at reorganizing society, and all Joey Bada$$ wants is for his country to respect black lives.
There’s a kind of political beauty in the sight of an empowered woman and her band communicating passionately and honestly.
“Fin” confidently reinvents a music made for bumping and grooving with a lyrical prowess that burns slowly, confessionally.
