With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Princess Nokia, Girls
With her fourth album of punky and provocative raps, the Nuyorican artist is once again reimagining hip-hop as a dangerous place to be.
Blawan, SickElixir
A dense, monolithic collection, the English DJ’s true speaker-blower of a second album sits somewhere between industrial techno, post-dubstep, and IDM.
Snõõper, Worldwide
The Nashville punks’ second album is less sonically gritty than previous projects, but has an added intensity largely stemming from an expanded studio band and sleeker production.
Adolf Alzuphar
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Reviews
Orchestra Baobab, “Tribute to Ndiouga Dieng”
These are the sort of arrangements that pride themselves on being so elegant that they practically demand an audience get dressed up to meet them.
April 27, 2017
Reviews
Joey Bada$$, “All-Amerikkkan Bada$$”
Any art that pours out of social criticism is an attempt at reorganizing society, and all Joey Bada$$ wants is for his country to respect black lives.
April 26, 2017
Reviews
Ibibio Sound Machine, “Uyai”
There’s a kind of political beauty in the sight of an empowered woman and her band communicating passionately and honestly.
March 03, 2017
Reviews
Syd, “Fin”
“Fin” confidently reinvents a music made for bumping and grooving with a lyrical prowess that burns slowly, confessionally.
February 15, 2017
