Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
See All 
Ezra Collective, Here Because of Hope
The UK jazz quintet are determined to heal while acknowledging pain on their soulful fourth LP of deeply jubilant, genre-bending, and compassionate odes to the enduring power of hope.
Bloc Party, Anatomy of a Brief Romance
Chronicling the rise and fall of a year-long fling, the influential UK indie rockers’ seventh album feels like a scattered afterthought more than an important part of the band’s journey.
Alabama Shakes, I Must Be Dreaming
The soulful rock trio sound like no time has passed at all after a decade-long break between studio records as they reignite their chemistry as a blockbuster unit.
Adolf Alzuphar
Articles
See All 
Load More
Reviews
Orchestra Baobab, “Tribute to Ndiouga Dieng”
These are the sort of arrangements that pride themselves on being so elegant that they practically demand an audience get dressed up to meet them.
April 27, 2017
Reviews
Joey Bada$$, “All-Amerikkkan Bada$$”
Any art that pours out of social criticism is an attempt at reorganizing society, and all Joey Bada$$ wants is for his country to respect black lives.
April 26, 2017
Reviews
Ibibio Sound Machine, “Uyai”
There’s a kind of political beauty in the sight of an empowered woman and her band communicating passionately and honestly.
March 03, 2017
Reviews
Syd, “Fin”
“Fin” confidently reinvents a music made for bumping and grooving with a lyrical prowess that burns slowly, confessionally.
February 15, 2017
