With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
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Glixen, Quiet Pleasures
Compelling yet uneven, the strongest compositions on the Phoenix shoegazers’ sophomore EP are often also the most experimental.
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Anxious, Bambi
Calling back to the “big swing” pop-punk records from the turn of the millennium, the Connecticut band’s sophomore release is emotionally intelligent and impressively fine-tuned.
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Patterson Hood, Exploding Trees & Airplane Screams
The Drive-By Truckers frontman’s first solo album in over a decade both softens and complicates the alt-country band’s barroom-rock formula, distinguishing itself to mixed results.
Alex Machock
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For the last time, rock isn’t dead—but there’s still a lot that could use a revival.
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Before GarageBand gave you an excuse to just do it badly yourself, you actually had to pay people to make your drum tracks sound awful. Time to fire up “Tony Hawk’s Pro Skater” and take a listen to a few of the worst.
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We don’t deserve it.
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2010. Sean Nicholas Savage Mutual Feelings of Respect and Admiration cover
Lo-fi crooner disco isn’t exactly a genre with clear lines of intent and seriousness, but looking back at one (the only?) key example shows that nothing ever sounded so sincere.