Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
The Notwist, News From Planet Zombie
This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.
Minnesota Artists United Against ICE, Melt ICE
This gigantic comp album featuring 110 Minnesotan artists raising funds for immigrant communities terrorized by ICE may also happen to be where you find your new favorite band.
Annie Parnell
Expanding her palette with grungy new influences, the LA-via-Kansas-City songwriter’s second album is often higher-octane while retaining her debut’s emotional core.
Rising above the odd brand partnerships it came paired with, this opulent quadruple-LP reissue builds off of the already-expansive source material with unearthed live recordings from the band’s creative prime.
Natalie Lu’s debut leans into the “pop” side of dream pop, exploring the double-edged sword of yearning with big builds and a combination of delicacy and pummeling sound.
Tears become a sign of joy on the songwriter’s fourth album as she celebrates new beginnings with empathy, resolve, and a bold new pop-forward sound.
Informed by the dualities of harm and healing, the English saxophonist and poet weaves a tapestry of sounds—spiritual jazz, folk, classical, and beyond—into a potent missive of grace.
The Richmond band strips down their alt-country, emo, and post-rock influences on their third LP in a full-force reckoning with mortality and metamorphosis.
The Boston slowcore trio stitch their gentle and heavy sounds back together with a newfound clarity while considering nihilism from a more hopeful angle on their cathartic fourth album.
The British-Brazilian songwriter’s debut collection of pop-friendly jazz and folk-infused mysticism uses nature as a guiding star for understanding our own place within the world.
The Baton Rouge sludge-metal ensemble leans into their punk side with a litany of scorching, fast-paced tracks with a reflective edge on their first full-length since 2018’s doomy Magus.
The Big Thief vocalist’s new solo record is a meditation on loving that revels in duality as Lenker shows off her ability to turn words and memories on their head to reveal new perspectives.
Jilian Medford’s shift to a poppier sound is handled with confidence on her fourth record, which documents the giddy highs and reeling aftermath of a relationship.
The Chicago indie-pop group feel it all on their fifth album, with moments of elation beautifully contrasting with those of sorrow.
