Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Flea, Honora
While the Red Hot Chili Peppers bassist’s collaboration-heavy foray into jazz occasionally errs on the side of pensive, it’s never anything less than heartfelt.
Robyn, Sexistential
The Stockholm-based electropop auteur’s ode to motherhood falls right in line with her always-mature, somewhat-confrontational manner of making desire-driven dance pop.
Holy Fuck, Event Beat
The Canadian band’s sixth collection of percussion-driven, electronically augmented art-rock walks a fascinating tightrope between hard-hitting noise and grooving synth-funk.
Annie Parnell
Expanding her palette with grungy new influences, the LA-via-Kansas-City songwriter’s second album is often higher-octane while retaining her debut’s emotional core.
Rising above the odd brand partnerships it came paired with, this opulent quadruple-LP reissue builds off of the already-expansive source material with unearthed live recordings from the band’s creative prime.
Natalie Lu’s debut leans into the “pop” side of dream pop, exploring the double-edged sword of yearning with big builds and a combination of delicacy and pummeling sound.
Tears become a sign of joy on the songwriter’s fourth album as she celebrates new beginnings with empathy, resolve, and a bold new pop-forward sound.
Informed by the dualities of harm and healing, the English saxophonist and poet weaves a tapestry of sounds—spiritual jazz, folk, classical, and beyond—into a potent missive of grace.
The Richmond band strips down their alt-country, emo, and post-rock influences on their third LP in a full-force reckoning with mortality and metamorphosis.
The Boston slowcore trio stitch their gentle and heavy sounds back together with a newfound clarity while considering nihilism from a more hopeful angle on their cathartic fourth album.
The British-Brazilian songwriter’s debut collection of pop-friendly jazz and folk-infused mysticism uses nature as a guiding star for understanding our own place within the world.
The Baton Rouge sludge-metal ensemble leans into their punk side with a litany of scorching, fast-paced tracks with a reflective edge on their first full-length since 2018’s doomy Magus.
The Big Thief vocalist’s new solo record is a meditation on loving that revels in duality as Lenker shows off her ability to turn words and memories on their head to reveal new perspectives.
Jilian Medford’s shift to a poppier sound is handled with confidence on her fourth record, which documents the giddy highs and reeling aftermath of a relationship.
The Chicago indie-pop group feel it all on their fifth album, with moments of elation beautifully contrasting with those of sorrow.
