With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
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The Los Angeles Issue
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Reviews
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The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Anya Zoledziowski
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Reviews
Czarface x Ghostface Killah, “Czarface Meets Ghostface”
A twelve-track saga loaded with menacing beats and ’90-style boom-bap flows.
February 15, 2019
Reviews
DAWN, “new breed”
Despite its imperfections, the album is enjoyable when odes to funk music liven up its heavy pop sound.
February 04, 2019
Travis Scott / photo by Carlo Cavaluzzi
On Learning to Consume Hip-Hop Responsibly
What business do I, a middle-class girl from Canada, have listening to music rooted in black history and struggle?
January 25, 2019
Reviews
Mariah Carey, “Caution”
Carey’s sotto voce coos are soothing as ever, but it’s clear she played it safe.
November 27, 2018
Reviews
Jacob Banks, “Village”
Like a good brandy, Banks’s voice will warm your core.
November 08, 2018
