With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Bonnie “Prince” Billy, The Purple Bird
Created in tribute to his friendship with producer Dave Ferguson, the youthful energy they channel together works well for a no-frills country record that gets so much done with so little.
Kathryn Mohr, Waiting Room
Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Mohr’s voice and the tangible weariness of her minimal use of guitar and synth.
Pink Siifu, Black’!Antique
On his sprawling fourth solo release, the rapper, producer, and post-soul provocateur—along with his coterie of collaborators—achieves something both memorably melodic and weirdly wired.
Austin Nguyen
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In Conversation
Hatchie on the Fearlessness of Her New LP “Giving the World Away”
Harriette Pilbeam discusses how her second album leans into autobiography and restlessness.
April 19, 2022
Reviews
Donna Missal, in the mirror, in the night
If PinkPantheress found a sweet spot for nostalgia-tinted love letters, consider Missal her lusty foil with a smirking text for every lights-out sexual craving.
February 09, 2022
Reviews
Holly Humberstone, “The Walls Are Way Too Thin”
On her second EP, the British songwriter explores the warmth and intimate depths of negative space.
November 08, 2021
