With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Nia Archives, Silence Is Loud
With her debut collection of drum and bass music, the English musician comments on the history of a multitude of subgenres in a way that’s never navel-gazey and always assured.
girl in red, I’M DOING IT AGAIN BABY!
Marie Ulven’s revved-up sophomore LP is both fun and uncomfortable, a poperatic portrait of the artist fucking up and learning in real time.
Cloud Nothings, Final Summer
Though continuing to build off the blueprint of 2012’s Attack on Memory, Dylan Baldi replaces some of that early release’s angst with a measured positivity on the group’s eighth album.
Austin Nguyen
Harriette Pilbeam discusses how her second album leans into autobiography and restlessness.
If PinkPantheress found a sweet spot for nostalgia-tinted love letters, consider Missal her lusty foil with a smirking text for every lights-out sexual craving.
On her second EP, the British songwriter explores the warmth and intimate depths of negative space.