With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Kaitlyn Aurelia Smith & Joe Goddard, Neptunes
Each track on the electronic composer and Hot Chip leader’s debut EP together has a unique rhythmic texture, with the constant theme being a wall of bass that transports you to a celestial space.
New Order, Brotherhood [Definitive Edition]
With one side dedicated to icy compu-disco and the other tied to the band’s beyond-punk origin story, this expanded reissue brings new order to the 1986 curio with live recordings, remixes, and more.
Father John Misty, Mahashmashana
Josh Tillman focuses his lens on death on his darkly comedic sixth album as eclectic instrumentation continues to buttress his folky chamber pop beyond ’70s pastiche.
Bee Delores
Charting the history of the slasher archetype from Psycho and Peeping Tom in the 1960s to Adam Wingard’s much-needed revival of the horror subgenre in 2011.
With Miramax recently winning the bidding rights to the iconic horror franchise, here’s hoping its next chapter as a TV series takes some major risks.
With the actor/writer-director’s Barbie currently shattering box office records, we look back on Gerwig’s memorable supporting role in Ti West’s cult 2009 hit The House of the Devil.
The filmmakers behind recent titles such as Halloween Ends, Creep, and 2022’s Texas Chainsaw Massacre reboot consider why slashers have become all the rage again.