With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Bee Delores
After a stratospheric year on the charts and dominating music festivals, the newly minted star may signal a vital turning point in how we treat and identify with celebrities.
Charting the history of the slasher archetype from Psycho and Peeping Tom in the 1960s to Adam Wingard’s much-needed revival of the horror subgenre in 2011.
With Miramax recently winning the bidding rights to the iconic horror franchise, here’s hoping its next chapter as a TV series takes some major risks.
With the actor/writer-director’s Barbie currently shattering box office records, we look back on Gerwig’s memorable supporting role in Ti West’s cult 2009 hit The House of the Devil.
The filmmakers behind recent titles such as Halloween Ends, Creep, and 2022’s Texas Chainsaw Massacre reboot consider why slashers have become all the rage again.