With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Bee Delores
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EssayFilm + TV
“You’re Next”: Erin as the Definitive 21st Century Final Girl
Charting the history of the slasher archetype from Psycho and Peeping Tom in the 1960s to Adam Wingard’s much-needed revival of the horror subgenre in 2011.
October 31, 2024
EssayFilm + TV
The “Halloween” Franchise Is About to Change Shape
With Miramax recently winning the bidding rights to the iconic horror franchise, here’s hoping its next chapter as a TV series takes some major risks.
October 31, 2023
EssayFilm + TV
Greta Gerwig: Horror Icon
With the actor/writer-director’s Barbie currently shattering box office records, we look back on Gerwig’s memorable supporting role in Ti West’s cult 2009 hit The House of the Devil.
August 07, 2023
EssayFilm + TV
Blood Rage: Examining the New Slasher Renaissance
The filmmakers behind recent titles such as Halloween Ends, Creep, and 2022’s Texas Chainsaw Massacre reboot consider why slashers have become all the rage again.
June 05, 2023
