Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Geologist, Can I Get a Pack of Camel Lights?
The debut solo album from Animal Collective’s Brian Ross Weitz is an entrancing experiment with the unusual sound of hurdy-gurdy at its highly stylized center.
Joyce Manor, I Used to Go to This Bar
The Torrance punks’ seventh album sees the trio firing on all cylinders with their signature punchy hooks and catchy choruses culminating in 19 minutes of sheer pop-punk glory.
Searows, Death in the Business of Whaling
Alec Duckart’s nautically themed second album infuses its emotionally fragile indie-folk with a trudging heaviness that pushes toward doom-metal territory.
Breanna Murphy
2014. JJ, “V” album art
On their fifth release (and third LP), V, Joakim Benon and Elin Kastlander withdraw into darker, more nebulous corners.
Joyce Manor at The El Rey Theatre / July 25, 2014 / photo by Breanna Murphy
The Torrance foursome celebrate the release of their new album, “Never Hungover Again.”
2014. Joyce Manor, “Never Hungover Again” album artwork
Pop-punk becomes something of a guilty pleasure the older you get, but Joyce Manor’s Never Hungover Again is a pummeling reminder of the rewards when the genre’s done well.
2014. Jungle’s self-titled album art.
Rarely has an album’s whole ethos been so well summed up in a three-sentence spoken word intro; the debut from quasi-mysterious UK duo Jungle is, indeed, a sweltering, soulful trip.
2014. Melted Toys, “Melted Toys” album art.
In contrast to their Garden State comrades, Melted Toys originally hail from the Bay Area, and similarly to the rolling marine layer that permeates the West Coast, their music comes in dense waves and from a distance, both alluring and elusive.
2014. King Tuff press photo by Dan Monick
Garage rock’s reigning ruler King Tuff just announced the upcoming release of his highly-anticipated third album titled Black Moon Spell…
2014. Birdman press photo courtesy of Fox Searchlight
Not sure what’s going on in the teaser trailer for Alejandro González Iñárritu’s new film Birdman? Don’t worry, I don’t think Michael…
2014. “Doctor Who” screenshot
If you’re like me, and have no idea what Doctor Who is about (time travel? It’s about time travel, right?),…
It’s only been two years since eclectic visual artist and electronic musician Claire Boucher made her 4AD debut with Visions,…
Accompanied by his partner and frequent collaborator Britta Phillips on bass, Dean Wareham performed a mesmerizing set of material from his recent eponymous solo release, while winding in favorites from his Galaxie 500 days (“Tugboat,” a worn and worthy cover of New Order’s “Ceremony”).
