With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.
Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.
yeule, Evangelic Girl Is a Gun
The London-via-Singapore alt-pop songwriter continues to experiment on their fifth album, with the heaviest and weirdest moments also feeling the most authentic and energizing.
Brian Josephs
Articles
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Load More
Injury Reserve Insist They Are a Rap Group
The hip-hop threesome on their self-titled debut and the freedom of being from Arizona.
May 28, 2019
Film + TV
“The New Negroes” Takes the Black Renaissance to Comedy Central
Open Mike Eagle and Baron Vaughn’s new show presents a platform for black, left-of-mainstream acts.
April 19, 2019
Film + TV
In Conversation: Wyatt Cenac Has Some Problems to Discuss
The “Problem Areas” creator navigates diversity in the writers’ room, gentrification, and the surreality of modern America.
June 04, 2018
Film + TV
Remembering the Black Friendship of “Hey Monie!”
Following the fifteenth anniversary of BET’s “Hey Monie!,” key figures from the show look back on the now-obscure animation that was ahead of its time.
April 20, 2018
