With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Kaitlyn Aurelia Smith & Joe Goddard, Neptunes
Each track on the electronic composer and Hot Chip leader’s debut EP together has a unique rhythmic texture, with the constant theme being a wall of bass that transports you to a celestial space.
New Order, Brotherhood [Definitive Edition]
With one side dedicated to icy compu-disco and the other tied to the band’s beyond-punk origin story, this expanded reissue brings new order to the 1986 curio with live recordings, remixes, and more.
Father John Misty, Mahashmashana
Josh Tillman focuses his lens on death on his darkly comedic sixth album as eclectic instrumentation continues to buttress his folky chamber pop beyond ’70s pastiche.
Brian Josephs
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Injury Reserve Insist They Are a Rap Group
The hip-hop threesome on their self-titled debut and the freedom of being from Arizona.
May 28, 2019
Film + TV
“The New Negroes” Takes the Black Renaissance to Comedy Central
Open Mike Eagle and Baron Vaughn’s new show presents a platform for black, left-of-mainstream acts.
April 19, 2019
Film + TV
In Conversation: Wyatt Cenac Has Some Problems to Discuss
The “Problem Areas” creator navigates diversity in the writers’ room, gentrification, and the surreality of modern America.
June 04, 2018
Film + TV
Remembering the Black Friendship of “Hey Monie!”
Following the fifteenth anniversary of BET’s “Hey Monie!,” key figures from the show look back on the now-obscure animation that was ahead of its time.
April 20, 2018
