With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Magazine
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Preoccupations, Ill at Ease
The Calgary post-punks couldn’t sound more comfortable in their own skin on their ironically titled fifth album, which seamlessly alternates between joyful and haunting moods.
Provoker, Mausoleum
Production from Kenny Beats heightens the LA trio’s signature gloominess on their third album of mournful 19th century gothic narratives and mirthful 1980s horror nostalgia.
Various artists, True Names: A Benefit for Trans Youth
Worry Bead Records compiles tracks from Squirrel Flower, Remember Sports, 22° Halo, and more conjuring a wistful world of lo-fi elegance while raising funds for a very worthwhile cause.
Brian Josephs
Articles
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Injury Reserve Insist They Are a Rap Group
The hip-hop threesome on their self-titled debut and the freedom of being from Arizona.
May 28, 2019
Film + TV
“The New Negroes” Takes the Black Renaissance to Comedy Central
Open Mike Eagle and Baron Vaughn’s new show presents a platform for black, left-of-mainstream acts.
April 19, 2019
Film + TV
In Conversation: Wyatt Cenac Has Some Problems to Discuss
The “Problem Areas” creator navigates diversity in the writers’ room, gentrification, and the surreality of modern America.
June 04, 2018
Film + TV
Remembering the Black Friendship of “Hey Monie!”
Following the fifteenth anniversary of BET’s “Hey Monie!,” key figures from the show look back on the now-obscure animation that was ahead of its time.
April 20, 2018
