With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Frank Black, Teenager of the Year [30th Anniversary Edition]
Bolder, weirder, and less Pixies-like than his solo debut, this vast collection of contagious pop vibes and oddball character studies remains Black Francis’ finest musical moment on his own.
Iggy Pop, Live at Montreux Jazz Festival 2023
Recorded at the Swiss fest’s Stravinsky Hall with a seven-piece ensemble, the punk icon crams his deeply expansive catalog into one loud bomb-drop.
Kele, The Singing Winds Pt. 3
Fusing together the stripped-bare ambient-pop and dancier art-pop of the trilogy’s previous titles, the Bloc Party vocalist’s latest project often feels both overstuffed and too restrained.
Christian Koons
A clip of Bill Murray singing along to “Shelter from the Storm” is charming on its face, but note the…
The Seattle duo discuss the intricate processes of editing with sounds and collaborating with artists for their sophomore album, “In Return.”
Without any of the drum kits, dusty amplifiers, or backup vocals that accompanied Cassie Ramone’s previous ventures with the Babies and Vivian Girls, her solo debut The Time Has Come cuts straight to the core of her playful, guileless songwriting.
South London four-piece Childhood are clearly most comfortable in the role of guitar-pop festival rockers.
On Days of Being Wild, Matt Kivel (Princeton, Gap Dream) sounds like he’s sitting right next to you.