Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Jungle, Sunshine
Sultry, smart, and sophisticated, the London acid-jazz trio’s aptly titled fifth album is a bright, brassy soundtrack to a late summer’s dusk into dawn.
L’Rain, Fata Morgana
Taja Cheek’s complex fourth album pushes the boundaries of genre to create something shimmering and otherworldly.
Kiwi Jr., Blowin’ Up
On an emotionally explosive fourth album of catchy quips about crime scenes, the Toronto jangle-pop band shifts from light-hearted procedural stuff to grisly noir.
Dan Epstein
A tribute to Nicky Wonder, cofounder of the Wondermints and guitarist for Brian Wilson, who died this week at age fifty-nine.
Drummer/vocalist Brann Dailor on the Led Zeppelin classic they recorded for their late manager, who passed away last year.
Named for Coyne’s 2015 art instillation of the same name, “King’s Mouth” features twelve interconnected songs with narration from The Clash’s Mick Jones.
Our FLOOD 9 cover conversation between ex–Pittsburgh Post-Gazette political cartoonist and an irreverent rock duo.
Out of place and underappreciated in 1968, “The Kinks Are the Village Green Preservation Society” has finally reached the status it deserves in the highest tier of rock——and Dave Davies sincerely appreciates that, late as it may be.
Jessie and Katey by Jeremy Fraga
Inside the world of the Lollapalooza poster artists.
The trio are careful about what they do in the studio, but once they hit the stage all bets are off.
