Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Jessie Ware, Superbloom
Three albums into her tenure as a pure-pleasure purveyor, Ware leans into the featherweight grooves of the ABBA era for a smooth yet occasionally frictionless epilogue to the trilogy.
Nine Inch Noize, Nine Inch Noize
Trent Reznor, Atticus Ross, and Boys Noize continue their collaborative streak by looking back on the NIN canon with a skull-fucking, metal-electro collab of thumping, throbbing songcraft.
Yot Club, Simpleton
Littered with existential concerns about what is truly real versus carefully curated presentation, Ryan Kaiser wrestles with American suburbia on his third album of indie-surf tunes.
Dan Epstein
Named for Coyne’s 2015 art instillation of the same name, “King’s Mouth” features twelve interconnected songs with narration from The Clash’s Mick Jones.
Our FLOOD 9 cover conversation between ex–Pittsburgh Post-Gazette political cartoonist and an irreverent rock duo.
Out of place and underappreciated in 1968, “The Kinks Are the Village Green Preservation Society” has finally reached the status it deserves in the highest tier of rock——and Dave Davies sincerely appreciates that, late as it may be.
Jessie and Katey by Jeremy Fraga
Inside the world of the Lollapalooza poster artists.
The trio are careful about what they do in the studio, but once they hit the stage all bets are off.
