Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Various artists, Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers
These unheard tracks from Dirty Projectors, Daniel Lopatin, and more are hushed and raw, all crafted with the idea of evoking a sense of home to highlight those whose own are at risk.
HEALTH, Conflict DLC
The noise-rockers’ sixth LP is a full-on rush of nihilistic energy, a shattered disco ball serving as the perfect encapsulation of a world decimated by capitalistic greed at the expense of humanity.
Fucked Up, Year of the Goat
Made up of two nearly half-hour tracks, the hardcore experimentalists’ latest is artistically commendable and consistently intriguing, even if it tends to test the listener’s patience.
Devon Chodzin
With pristine pop, bold rock, and a revitalized love for performance, the New York group’s third LP succeeds in bridging their priorly variegated output.
The Irish neoclassical composer paints in grayscale on her third solo album, her dirges often feeling dark or lamentable while at other times frank, vulnerable, or even loving.
The largely self-produced album marks Groves’ first full-length since her 2009 self-titled under the name Blue Roses.
With the help of collaborator Madeline Johnston of Midwife, Jensen Keller’s pensive slowcore project produces a hypnotizing post-rock experience with a hint of outlaw country.
Named for her pandemic puppy, the record marks Hannah van Loon’s first release since 2018.
Zack James unpacks the nuanced feelings behind each track on the band’s innovative alt-country album.
