With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Grails, Miracle Music
Regaining the fast momentum with which they released their early material, the instrumental post-rockers’ ninth LP is defined by a meditative feel coursing through the songs’ proverbial veins.

M(h)aol, Something Soft
On their second LP, the Dublin trio weave through belligerent post-punk and quasi-industrial aesthetics, manipulating song structures and having fun with atonal soundscapes.

Ezra Furman, Goodbye Small Head
A glitchy folk-punk opera like a pastoral take on Lou Reed’s Berlin, the songwriter’s quivering-yet-empowered latest sees her knocked down—but never knocked out.
Devon Chodzin

With pristine pop, bold rock, and a revitalized love for performance, the New York group’s third LP succeeds in bridging their priorly variegated output.

The Irish neoclassical composer paints in grayscale on her third solo album, her dirges often feeling dark or lamentable while at other times frank, vulnerable, or even loving.

The largely self-produced album marks Groves’ first full-length since her 2009 self-titled under the name Blue Roses.

With the help of collaborator Madeline Johnston of Midwife, Jensen Keller’s pensive slowcore project produces a hypnotizing post-rock experience with a hint of outlaw country.

Named for her pandemic puppy, the record marks Hannah van Loon’s first release since 2018.

Zack James unpacks the nuanced feelings behind each track on the band’s innovative alt-country album.