With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

The Dirty Nil, The Lash
Harrowing and fun in equal measure, the Ontario groups’ fifth record is a deliberate return to their raw punk ’n’ roll roots with a newfound sense of vulnerability lying beneath all the noise.

Nick Drake, The Making of Five Leaves Left
Meant to tell a deeper story behind the songwriter’s 1969 debut, each demo, outtake, and alternate version on this 4-LP set radiates the piecemeal feel of a novice grasping his way through a new endeavor.

Stars of the Lid, Music for Nitrous Oxide [30 Year Anniversary]
Released for the first time on vinyl, the Austin drone duo’s dark, raw debut elicits awe, wonder, and terror all at once as it confronts listeners with the darker aspects of existence.
Dustin Krcatovich

Allison Crutchfield, Kyle Gilbride, and Jeff Bolt were just getting started when Swearin’ first called it quits. But then they said fuck all that and made something new.

From his work in his local hardcore scene to his gentler solo efforts, the West Bay riffer continues to do things his own way.

One of the world’s preeminent record collectors talks shop on the occasion of his new comp for Mexican Summer/Anthology, “Feel the Music Vol. 1.”

Before peeling off to Joshua Tree to play at Desert Daze, Pedrum Siadatian talks the art of making covers.

The architect of modernist music and his classically trained son take their playful improvisation to Joshua Tree.

Eduardo Williams’s latest film reads like Linklater’s “Slacker” for the global post-Internet age.

Trending up: huskies. Trending down: bull terriers.