With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Reneé Rapp, Bite Me
The pop star’s big voice and actorly prowess help convince us that the choppy, Sapphic-punkish pop and curt, self-reproaching snipe of her second LP burrow deep into her soul.

$uicideboy$, Thy Kingdom Come
On their fifth proper LP, Ruby da Cherry and Scrim’s usually dense, trap-imbued soundscapes are open and airier, leaving more room for the duo and their guests to misery-wallow within.

Nuclear Daisies, First Taste of Heaven
The club-ready breakbeats and unrelenting experimentation on the Austin trio’s second LP serve as a deafening clarion call for humanity to get its act together before it’s too late.
FLOOD Staff

Bailey Crone plays through the new single with her band before they head to SXSW in March.

The band kicks off 2024 for us with a takeover featuring Drab Majesty, Nation of Language, Cocteau Twins, and more.

The Manchester-based dance-punk collective shares photo highlights from their brief set of December dates here in the US.

Joined by vocalist Sarah Rossy and guitarist Jack Broza, the bassist plays the track “I’ll Ask Anyway” from her debut record Outsider, Outlier on a sunny day in New York City.

40 of our favorite live shots from the year including boygenius, Arctic Monkeys, Weyes Blood, The Cure, Kendrick Lamar, Turnstile, Yeah Yeah Yeahs, and more.

10 movies that feel bolder with every repeat viewing.

10 series that continued to push the medium forward.

Peggy Gou
From Peggy Gou and OPN to Yard Act and Arlo Parks, here are the songs we couldn’t stop spinning over the past 12 months.

From bold and cathartic statements of newfound independence to unapologetic anthems for a one-weekend stand, here are the 10 most inventive tracks we heard in 2023.

The special programming of eclectic holiday hits spanning indie, punk, hip-hop, and beyond kicks off this Sunday, December 17, and runs through the rest of the year only on FLOOD FM.

Graphic: Jerome Curchod Photos: Zachary Gray, Jack Grange, Shervin Lainez, Steve Gullick, Gunner Stahl, Toby Leveson
From rap to pop to R&B to punk, this year was defined by a lack of homogeneity.

The NYC-based songwriter gives an evening performance of “Tree” from his newly released sophomore LP Dog.

Michael Robert Williams Photography. www.michaelwilliams.co.uk
In honor of the San Francisco live music institution, Aaron Axelsen will be spinning two consecutive hours of Britpop hits released between 1995 and 2008 three times daily.

The songwriter strums through “Tonic” from his recent LP No Fixed Point in Space, out now via Bella Union.

The Of Monsters and Men offshoot performs “Every Kind of L” and “EndUp” with a 16-piece string orchestra for our special series shot around the city’s annual Øya Festival.

The Exile in Guyville 30th anniversary tour landed at the historic Nashville venue this week.

Despite canceling the remainder of the tour, Ms. Hill and the Fugees brought the Miseducation 25th Anniversary show to the City of Brotherly Love this week.

The OKC-based indie rockers play through “Old Town” from their latest LP Cuatro, out now via Thirty Tigers.

With their latest LP Formentera II out now, Emily Haines and Jimmy Shaw spin favorites from their indie-rock contemporaries.

The British avant-prog trio brought their “Eras Tour” to Los Angeles last week.