Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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The LA group’s debut is an extremely stylish backdrop with no magnetic centerpiece, a fascinating—and even useful—snapshot of indie rock’s current preoccupations.
Fat Dog, Cancel Me (I’m Tired)
Still in their puppy years, the London dance-punk experimentalists’ second LP reflects our world at a time when chaos reigns and no one seems to be bothering to snap a leash onto its collar.
Bob Dylan, The Rolling Thunder Revue: The 1976 Live Recordings
Capturing 22 different shows on the titular mid-’70s tour, each torrid, angst-ridden live take on this 39-disc collection sounds more manically driven than the gig before it.
FLOOD Staff
The UK art-punks document their brief set of dates in Asia to close out a year of touring their second LP, O Monolith.
The electro-rock four-piece play through the single from their forthcoming debut album Effigy in a beer garden in Hackney.
The veteran booking agent spins tracks by Nick Hakim, Stephen Sanchez, Arooj Aftab, and more.
Subtitled “Women in Rock Shaping Feminism,” Katherine Yeske Taylor’s book is out January 16 via Backbeat Books.
Bailey Crone plays through the new single with her band before they head to SXSW in March.
The band kicks off 2024 for us with a takeover featuring Drab Majesty, Nation of Language, Cocteau Twins, and more.
The Manchester-based dance-punk collective shares photo highlights from their brief set of December dates here in the US.
Joined by vocalist Sarah Rossy and guitarist Jack Broza, the bassist plays the track “I’ll Ask Anyway” from her debut record Outsider, Outlier on a sunny day in New York City.
40 of our favorite live shots from the year including boygenius, Arctic Monkeys, Weyes Blood, The Cure, Kendrick Lamar, Turnstile, Yeah Yeah Yeahs, and more.
10 movies that feel bolder with every repeat viewing.
10 series that continued to push the medium forward.
Peggy Gou
From Peggy Gou and OPN to Yard Act and Arlo Parks, here are the songs we couldn’t stop spinning over the past 12 months.
From bold and cathartic statements of newfound independence to unapologetic anthems for a one-weekend stand, here are the 10 most inventive tracks we heard in 2023.
The special programming of eclectic holiday hits spanning indie, punk, hip-hop, and beyond kicks off this Sunday, December 17, and runs through the rest of the year only on FLOOD FM.
Graphic: Jerome Curchod Photos: Zachary Gray, Jack Grange, Shervin Lainez, Steve Gullick, Gunner Stahl, Toby Leveson
From rap to pop to R&B to punk, this year was defined by a lack of homogeneity.
The NYC-based songwriter gives an evening performance of “Tree” from his newly released sophomore LP Dog.
Michael Robert Williams Photography. www.michaelwilliams.co.uk
In honor of the San Francisco live music institution, Aaron Axelsen will be spinning two consecutive hours of Britpop hits released between 1995 and 2008 three times daily.
The songwriter strums through “Tonic” from his recent LP No Fixed Point in Space, out now via Bella Union.
The Of Monsters and Men offshoot performs “Every Kind of L” and “EndUp” with a 16-piece string orchestra for our special series shot around the city’s annual Øya Festival.
The Exile in Guyville 30th anniversary tour landed at the historic Nashville venue this week.
