Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cola, Cost of Living Adjustment
While they continue to excel at lo-fi post-punk, the Canadian outfit’s third album mixes the angularity and simplicity of their previous LPs with something much lusher and richer.
Broken Social Scene, Remember the Humans
The amorphous Canadian supergroup returns after nearly a decade to unearth a brand new yet wholly familiar artful rock sound with a surprising amount of momentum behind it.
Tom Petty & the Heartbreakers, Live at the Paradise Rock Club, 1978
Recorded via two-track by WBCN-FM Boston in time for the band’s sophomore album, this live LP is a rare contact high connected to the sage rage of their earliest punk-rock days.
FLOOD Staff
25 records from the first half of the year that exhibit a bold sense of creative freedom.
The indie rockers perform “My Way to You” and “Wonder How” from their newly released debut album Hang a Star at Bay View Park in front of the San Diego skyline.
The museum’s summer concert series is back on July 17 with free live music in the courtyard.
The alt-pop songwriter sings the track “Static” from her new EP Adesso in her hometown’s lakefront park.
flipturn
Now in the midst of a North American tour supporting their latest album, Burnout Days, the Floridian indie rockers spin tunes by Phoenix, Great Grandpa, Magdalena Bay, and more.
We caught up with Trevor Powers in London where he got inked after a show at Islington Assembly Hall supporting his album Rarely Do I Dream.
Jordan Topf plays the tracks “Lose You” and “Shut Up and Kiss Me” from his self-titled debut outside of his studio in the Northeast LA neighborhood.
The Dublin post-punk band played their biggest show to date with Amyl & the Sniffers, Kneecap, Blondshell, Been Stellar, and Cardinals.
Having just announced their Sub Pop debut, Dance Called Memory, the synthpop trio spins singles by Cate Le Bon, Smerz, Tunde Adebimpe, and more.
The R&B/hip-hop collective performs their song “Ali & Jenn” from their recently released The Dial LP on the hiking route in the Santa Monica Mountains.
The avant-garde indie-pop band takes us on a walk through what may or may not be the back stage of Portland’s Revolution Hall.
Abel Tesfaye kicked off the first of four sold-out shows in Los Angeles last night.
The “Wu-Tang Forever: The Final Chamber” farewell tour landed in Los Angeles on Sunday.
Frontman Luke Lalonde plays “To Be Seen” from the band’s new record Beauty’s Pride on the roof of his home.
The recap of their recently wrapped set of North American dates also includes appearances by Lily Seabird, Robber Robber, and more.
The alt-rock greats performed their classic Bossanova and Trompe le Monde albums on the first of two nights in LA.
The cult dream-pop ensemble is currently selling out shows across the US in support of their recently released second album, Ginkgo.
Shots of 2hollis, hey, nothing, Joey Valence & Brae, and Mike Sabath before the event was evacuated on Friday, as well as Jack’s Mannequin’s aftershow in Nashville.
The English songwriter plays her singles “Please” and “Last Night” leading up to the release of her debut album On the Wing, out July 25 via Blue Flowers.
Esteban Flores will be spinning tunes by Fontaines D.C., The Clash, Alvvays, and more following the release of his debut album, A Joy So Slow at Times I Don’t Think It’s Coming.
