With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Franz Ferdinand, The Human Fear
The Scottish rockers’ sixth album leans into variety with the help of a new lineup, though most of the LP’s highlights come in the form of singles exhibiting the band’s tried-and-true sound.
Ethel Cain, Perverts
More of an immersive art installation than an album, this 90-minute drone project is every bit as moving as its pop predecessor despite feeling deliberately difficult.
Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Eli Enis
Frontman Philip Taylor discusses the difficulty of enduring loss and the ease with which it inspired ideas for “Your Church on My Bonfire.”
JPEGMAFIA, Tierra Whack, The Spirit of the Beehive, and more were on the songwriter’s turntable.
Ten-minute jams aren’t exactly in vogue right now, but the LA quartet have no problem pushing for a second coming of experimentalism in rock.
Living in the nation’s capital hasn’t made the trio any more or less political—but they know that being political isn’t really a choice no matter what town you’re in.
Dave Benton has quietly—and perhaps reluctantly—played a key role in shaping indie rock throughout the 2010s through collaborative work. Now he’s stepping out on his own.