With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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House of Harm, Playground
The Boston-based goth-pop trio scratch a unique itch on their more complex sophomore record by expanding their aesthetic to incorporate Midwest emo vocals.
Full of Hell & Nothing, When No Birds Sang
The six collaborative tracks from the Maryland grindcore outfit and Philly shoegazers stretch both bands into new compositional terrain in addition to playing to each group’s strengths.
Bob Dylan, The Complete Budokan 1978
With a crisper mix and an expanded tracklist, these live recordings that were once overwrought and overly complex become more bearable—and occasionally effortlessly beautiful.
Grant Sharples
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Reviews
Wild Nothing, “Indigo”
Wild Nothing has shifted away from lo-fi dreaminess, aiming for something more polished and defined.
September 06, 2018
Reviews
Dirty Projectors, “Lamp Lit Prose”
“Lamp Lit Prose” finds David Longstreth elated, though his positivity doesn’t always result in musical vitality.
July 13, 2018
