With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
Soft Cell, The Art of Falling Apart [Super Deluxe Edition]
This six-disc collection expands upon the aggression, industrialism, and pernicious lyrics of the duo’s 1983 LP—a revenge, of sorts, on becoming pin-up darlings of the British new wave.
Miguel, Caos
The alt-R&B star’s fifth album embraces existential lyrical concepts to match its dusky jazz-electro sound, industrial ambience, and grouchy fuzzed guitars.
Just Mustard, We Were Just Here
The Irish noise-rockers throw stones at their shoegaze glass castle on their third LP, a heavy-padded experiment in hypnosis that manages to channel a sense of euphoric mania.
Jacob Uitti
Joe Talbot tells us how he’d spend his last day on earth while discussing his band’s fourth LP.
The Nashville-based songwriter tells us about the personal direction of her new album and the “self-education” detailed on the record’s latest single.
The virtuosic Mexican guitar duo have created a sonic stage play in three acts with three unique covers.
The Seattle rockers tell us about the new visual ahead of the track’s placement on an episode of ABC’s “Rebel” tonight.
This reissue is two albums at once, ranging in creative impact from Van Etten’s ghostly harmonies to IDLES’ industrial wallop.
