Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Winston Hightower, 100 Acre Wood
The 14 songs featured on the Columbus native’s second album may be as short as the ones on its lo-fi predecessor, but they’re far more fleshed out with catchier and on-point rock music.
Jacob Uitti
Joe Talbot tells us how he’d spend his last day on earth while discussing his band’s fourth LP.
The Nashville-based songwriter tells us about the personal direction of her new album and the “self-education” detailed on the record’s latest single.
The virtuosic Mexican guitar duo have created a sonic stage play in three acts with three unique covers.
The Seattle rockers tell us about the new visual ahead of the track’s placement on an episode of ABC’s “Rebel” tonight.
This reissue is two albums at once, ranging in creative impact from Van Etten’s ghostly harmonies to IDLES’ industrial wallop.
