With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Fazerdaze, Soft Power
Dream-pop songwriter Amelia Murray returns seven years after her debut with a newfound confidence and a conscious effort to loudly reclaim her best years.
Venus Twins, /\/\/\/\/
Juxtaposing a love of sewing with 13 minutes of whiplash-inducing, eardrum-destroying atonal assaults, the Brooklyn duo’s latest EP is yet another confounding product of twin telepathy.
The Body, The Crying Out of Things
Within the overwhelming force and unfathomable cosmic horrors of the metal duo’s latest LP rests a remarkable emotional complexity, proving the band wields as much pathos as they do pain.
Jeff Roedel
If only more of this genre-exercise of an album stood fast on the light, ethereal sound of its opener.
Given its title, intimacy is the intended promise from this unadorned eavesdropping on Jeff Buckley’s early development as a major-label star in the making.
“SVIIB” is no act of mourning.
Like an artist rising out of the limelight, Livingston’s backing arrangements are free from expectation or, frankly, standards of any kind.
The “Fargo” actor tells us about his directorial debut and the unmaking of an iconic record store.
Ilunga calls his genre noir wave, but no matter what landscape this blend of European and African influences crosses, Petite Noir is a new world of music worth exploring.
Is he sarcastic or actually seething with real, gulp, feelings?
OK, Potter knows who she isn’t, but does she know who she is?