With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
MIKE, Showbiz!
The NYC-based rapper’s ninth solo album toes the line between lo-fi, soul, jazz, and ambient electronics, adding a newfound sense of resolve to the grief explored on recent release.
Bonnie “Prince” Billy, The Purple Bird
Created in tribute to his friendship with producer Dave Ferguson, the youthful energy they channel together works well for a no-frills country record that gets so much done with so little.
Kathryn Mohr, Waiting Room
Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Mohr’s voice and the tangible weariness of her minimal use of guitar and synth.
Jeff Roedel
If only more of this genre-exercise of an album stood fast on the light, ethereal sound of its opener.
Given its title, intimacy is the intended promise from this unadorned eavesdropping on Jeff Buckley’s early development as a major-label star in the making.
“SVIIB” is no act of mourning.
Like an artist rising out of the limelight, Livingston’s backing arrangements are free from expectation or, frankly, standards of any kind.
The “Fargo” actor tells us about his directorial debut and the unmaking of an iconic record store.
Ilunga calls his genre noir wave, but no matter what landscape this blend of European and African influences crosses, Petite Noir is a new world of music worth exploring.
Is he sarcastic or actually seething with real, gulp, feelings?
OK, Potter knows who she isn’t, but does she know who she is?