With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
The National, Rome
A quarter century into their career, the Brooklyn band curates a rollicking setlist for a discography-spanning live double LP recorded in an aptly grand open-air Italian theater.
Jeff Roedel
If only more of this genre-exercise of an album stood fast on the light, ethereal sound of its opener.
Given its title, intimacy is the intended promise from this unadorned eavesdropping on Jeff Buckley’s early development as a major-label star in the making.
“SVIIB” is no act of mourning.
Like an artist rising out of the limelight, Livingston’s backing arrangements are free from expectation or, frankly, standards of any kind.
The “Fargo” actor tells us about his directorial debut and the unmaking of an iconic record store.
Ilunga calls his genre noir wave, but no matter what landscape this blend of European and African influences crosses, Petite Noir is a new world of music worth exploring.
Is he sarcastic or actually seething with real, gulp, feelings?
OK, Potter knows who she isn’t, but does she know who she is?