Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Geologist, Can I Get a Pack of Camel Lights?
The debut solo album from Animal Collective’s Brian Ross Weitz is an entrancing experiment with the unusual sound of hurdy-gurdy at its highly stylized center.
Joyce Manor, I Used to Go to This Bar
The Torrance punks’ seventh album sees the trio firing on all cylinders with their signature punchy hooks and catchy choruses culminating in 19 minutes of sheer pop-punk glory.
Searows, Death in the Business of Whaling
Alec Duckart’s nautically themed second album infuses its emotionally fragile indie-folk with a trudging heaviness that pushes toward doom-metal territory.
Kevin Crandall
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Reviews
Enumclaw, “Home in Another Life”
The 11 rock-out earworms chronicling depression and anxiety on the Tacoma-based group’s second LP are well worth the headache.
September 12, 2024
Reviews
Beabadoobee, “This Is How Tomorrow Moves”
The Filipina-English artist’s Rick Rubin–produced third album provides a brutally realist introduction to the emotional maturation she’s undergone in the two years since her last LP.
August 16, 2024
Reviews
Ice Spice, “Y2K!”
On her studio debut, the Bronx rapper and it-girl of Gen Z’s Y2K aesthetic revivalism gives the impression of a young artist exploring her range.
August 01, 2024
In Conversation
Zacari on Soaking Up the Game and Turning Out His Debut Album “Bliss”
The West Coast emcee shares how years of observing his TDE labelmates helped shape his new record, which was five years in the making.
July 18, 2024
Reviews
Vince Staples, “Dark Times”
On his final release with Def Jam, the Long Beach rapper builds upon his recent output to hone in on the darkness of his past while offering a glimpse into his healing process.
May 31, 2024
