FLOOD

Following a hiatus from recording, this fourth LP is a journey through the beauty and messiness of relationships that have colored the past five years of Taylor’s musical hibernation.

The track will close out the Savannah-based alt-rap artist’s Buried Out Back EP, which drops in full tomorrow.

Leading with distortion and chaos, the Austin group’s debut is a 22-minute cataclysm of hardcore punk and harsh noise that distills the anti-capitalist ethos of their moniker.

The LA-based musician discusses getting weird on his latest project, art Pop * pop Art.

The LA-based artist’s most comprehensive foray into genre abolition yet is a whirlwind of artistic exploration that sees the songwriter coloring well outside of hip-hop’s lines.

Despite being incarcerated by the State of Ohio, the poet teamed up with the improvisational jazz artist for what is the first known live recording from a death row inmate.

The emcee’s third solo album blends house, hip-hop, and the East African sun to give listeners a deeply personal look at the journeyman rapper’s Eritrean-Ethiopian heritage.

Their debut collaboration stitches the poet/emcee’s potent oratory chops through the metal group’s free-form sounds to create an avant-garde epic concerning human rights, violence, and empire.

The Zambian-Canadian noise-rapper returns from a brief hiatus with an existentialist exploration of death, violence, and, ultimately, love, a textural letter to the downtrodden and the hopeless.

The Saba co-signed DMV rapper shares a boom-bap sermon to follow up his 2023 debut album Spleck.

Graham Jonson also provides some insight into the inspirations and processes that informed his upcoming album, I Heard That Noise.

An intoxicating blend of Y2K aesthetics and bubblegum pop, Black’s second album is a celebration of her musical evolution from internet laughing stock to hyperpop powerhouse.

Ahead of his new LP, we also press Will Wiesenfeld about being sampled by Charli XCX and the assessment that he’s getting “hotter and weirder” with every release.

The LA-based artist discusses the self-deprecation, imposter syndrome, and, ultimately, self-confidence of her debut album The Jester, which details her struggle to break into the music industry.

On his latest EP, the Detroit musician leans into his hip-hop roots while exploring what it means to love and resist over four quick-hit tracks enveloped by marijuana smoke.

Politically punk while sonically dance music, The B-52’s vocalist’s first solo record in nine years is a musically and thematically diverse scattershot of personal reflection and activism.

The 11 rock-out earworms chronicling depression and anxiety on the Tacoma-based group’s second LP are well worth the headache.

The Filipina-English artist’s Rick Rubin–produced third album provides a brutally realist introduction to the emotional maturation she’s undergone in the two years since her last LP.

On her studio debut, the Bronx rapper and it-girl of Gen Z’s Y2K aesthetic revivalism gives the impression of a young artist exploring her range.

The West Coast emcee shares how years of observing his TDE labelmates helped shape his new record, which was five years in the making.