Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cult of Luna, In the Shadow of Your Shadow
The Swedish post-metal pioneers’ intense 10th full-length is among their darkest, hardest-hitting statements as it searches this scorched earth for shafts of rapturous light.
Sufjan Stevens, Worst Christmas Ever!
The Christmas album format finds vindication as the songwriter distills timeless compositions into a primer that cares about reverence and reflection as much as bombastic experimentation.
Katie Dey, Universal Will
Trading her typical hyperpop textures for heavy rock notes, the Australian pop experimentalist focuses her sights on the rise of technofascism in the wake of an online coming-of-age.
Kurt Orzeck
The DC garage-pop band throws caution to the wind on their fourth album, which sounds as fresh as a debut as they tear through 13 songs in what feels like the time it takes to flip to Side B.
Moving at a blink-and-you’ll-miss-it speed that never ceases to captivate, the post-punk quartet makes a case for appreciating life and all its wonders at breakneck speed on their second LP.
Remixed and remastered, the post-hardcore group’s 2013 LP sounds crisper here, with a cleaner separation of sound that does far more justice to the tight performances by each band member.
The second installment in the Spaceman Reissue Program series brings more clarity to J. Spaceman’s uncharacteristically collaborative, exuberant, and sincere 2003 effort.
The pop-punk trio try to make sense of the present moment while continuing to push the project’s boundaries toward easy-to-digest rock songs nicely balanced by soft punk flourishes.
Here are 24 of the most stylish, bizarre, and NSFW items still available to purchase at your favorite artist’s webstore to commemorate a particularly interesting year in music.
From alt-country in Boise to melodic death metal in Central Europe, our most diem-carpe-ing contributor ranks his experiences after witnessing nearly 150 sets over the course of 365 days.
The five songs on Rick Maguire and his band’s soft follow-up to last year’s All Fiction exude a cozy feel that favors a comfortable, even homespun-sounding, experience.
On the heels of its 30th anniversary—inspiring a massive remastered box set and an expanded version of Michael Azerrad’s iconic band biography—we look back on the LP that unexpectedly gave Nevermind a run for its money.
The focus of the Montreal-based songwriter’s impossibly quiet second record is squarely on tapping into the natural world and reminding us of the wonders that it provides us with.
The Canadian trio’s aptly titled fifth record features peaks and valleys of mood and intensity throughout, each song charged with a different distinct feeling.
On what could be considered his first true solo record, Jonny Pierce processes decades of grief on a collection of songs that twinkles, soothes, and inspires.
Although perhaps eclipsed by the bonus-track-heavy deluxe edition from 10 years ago, this latest reissue of the alt-rock pioneers’ sophomore LP signals another splash of interest in Kim Deal’s post-Pixies career.
Band members Nick Jost and Sebastian Thomson walk us through the Savannah, Georgia–based metal group’s sixth full-length.
The instrumental post-rockers’ seventh LP finds them even more lost than they were when venturing into the wilderness seven years ago.
The re-release of the metalcore icons’ 2017 LP is enhanced by five additional tracks—which some of the band members wanted to include in the first place.
Constructed more like an avant-garde score than a traditional rock album, the 97-minute second LP from the LA-based noise-rock group is a complex piece of music-as-art.
Toting previously unheard demos, the Kill Rock Stars imprint’s remastering of the math rock duo’s first record is critical to keeping their unrivaled combustibility lodged in our brains.
The long-running band from Detroit proves that they need just five seconds to win over listeners who gravitate toward the type of quality noise-pop that takes chances.
Riley’s father Brandon and board members of Dallas Hope Charities reflect on the late musician’s deep humanity and prolific charitability on the third anniversary of his passing.
