With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Fly Anakin, (The) Forever Dream
The Virginia rapper’s guest-filled latest is a stellar collection of bright, diverse, and downright gorgeous hip-hop that’s so light-on-its-feet it can sometimes feel like it’s sweeping you off yours.

Tennis, Face Down in the Garden
The husband-and-wife duo calmly issue forth their always whimsical yet never overly precious musical blend of psych-tinged indie-pop from start to finish on their seventh and final LP.

Sarah Mary Chadwick, Take Me Out to a Bar / What Am I, Gatsby?
The deep crevices of profound dependence live within the Melbourne-based songwriter’s every word and melody throughout her grayly comic and experimentally recorded ninth album.
Kurt Orzeck

The Glaswegian chamber-pop quartet’s comeback record finds the group nestling back into its comfort zone, soothing the soul like the band used to.

After developing their confidence and honing their sound over the course of a decade, the Kentucky hardcore quintet pushes boundaries in a big way on their third full-length.

Following last year’s release of their debut album, the LA band continue to push forward their dreamy grungegaze romps on a six-song EP.

The Virginia sludge quintet’s fifth album exhibits their penchant for probing the innards of metal and reconstructing it into a seamless new visage.

The Toronto noise-punks’ fifth LP sees their familiarly angular guitars working through melodies that range from ear-sweetening to atonal, furthering the mystery that is the band METZ.

Their sophomore album sees the Leeds-based trio overcoming grief over instrumental flourishes that recall yesteryear while artfully resisting the lure of entering a time machine.

After a relatively long wait, Matt Pike’s sludge-metal outfit returns with their most adventurous, pigeonhole-smashing, and idiosyncratic release to date.

As they wrap up their current set of dates supporting their new album, Corin Tucker and Carrie Brownstein discuss how their unique eleventh LP is the product of unique circumstances.

The Canadian punks’ Polaris-winning sophomore LP proved that hardcore could stray outside of its traditionally narrow confines without sacrificing the band’s reputation within the genre.

The Modesto lo-fi outfit proves there’s still plenty of life yet in the twice-retired project as they ambitiously venture into uncharted waters.

The remastered 2008 LP is rounded out with B-sides and BBC live recordings which further immerse the listener in the time period.

The Canadian duo blossoms into their own on their soft and breezy sophomore collection of hypnagogic folk pop.

The Alabama Shakes vocalist’s larger-than-life-sounding voice dominates her sophomore solo album as she addresses themes of self-empowerment, self-motivation, and moving on.

Justin Pearson breaks down the themes and collaborations that formed his second full-length with the deeply experimental synth-punk project.

The DC garage-pop band throws caution to the wind on their fourth album, which sounds as fresh as a debut as they tear through 13 songs in what feels like the time it takes to flip to Side B.

Moving at a blink-and-you’ll-miss-it speed that never ceases to captivate, the post-punk quartet makes a case for appreciating life and all its wonders at breakneck speed on their second LP.

Remixed and remastered, the post-hardcore group’s 2013 LP sounds crisper here, with a cleaner separation of sound that does far more justice to the tight performances by each band member.

The second installment in the Spaceman Reissue Program series brings more clarity to J. Spaceman’s uncharacteristically collaborative, exuberant, and sincere 2003 effort.

The pop-punk trio try to make sense of the present moment while continuing to push the project’s boundaries toward easy-to-digest rock songs nicely balanced by soft punk flourishes.

Here are 24 of the most stylish, bizarre, and NSFW items still available to purchase at your favorite artist’s webstore to commemorate a particularly interesting year in music.