FLOOD

Climbing out of the black-metal pigeonhole, the Portuguese group sound more confident and creatively unrestrained on their fourth album rather than merely louder.

Frontman Eugene S. Robinson and bassist Andrea Lombardini help us digest the noise-rockers’ collaboration-filled fourth album.

As they continue to forge new paths for the subgenre, it often feels like the Denver technical death metal band is doing too much on their third album.

The 11 eloquently imperfect recordings on the hardcore punks’ sixth album harness the anger that shakes them to their core as they take aim at wishful thinking and our imminent demise.

The Finnish avant-garde quintet’s sixth album is challenging from start to finish, managing to heap even more styles onto their mesmerizing blend of black metal and psychedelia.

Each song on the noise-rockers’ seventh LP is distinct in style and substance, allowing Oliver Ackermann to tap into his emotional self as if looking through a slowly twisted kaleidoscope.

David Yow and Duane Denison discuss Rack, the noise-rock legends’ first new record in 26 years, and how the world has changed in the interim.

The West Coast screamo quartet isn’t afraid to turn down the volume on an otherwise-blistering return to form with their most mature, expansive, and explorative record yet.

Tim Kasher discusses the themes (and interludes) of the post-hardcore band’s 10th LP and first for Run for Cover Records.

The Melvins drummer sheds light on each of the 11 songs on his newly released third solo outing, which features contributions from Tom Waits, Ty Segall, Pinback’s Rob Crow, and more.

Five albums and 15 years in, electronic wizard Robert Alfons seeks to start his musical endeavor anew—all the while wondering if a slate can be truly wiped clean.

Containing eight 7-inch singles and a bonus flexi disc of crisp recordings taken from Radio 1 performances throughout the ’90s, this box set embodies the spirit of the space cadets running amok.

On her fourth solo outing under the ambient-slowcore moniker, Madeline Johnston reaches a state of enlightenment as she sounds totally confident about her identity as an artist.

The Belfast instrumental math-rock quartet hit their groove on their seventh LP, with the perfect balance of loud-and-quiet dynamics resulting in a positively affirming—and downright fun—listen.

With the aid of Mike Haliechuk’s ever-improving production, the hardcore-punk group’s punchy sound practically jumps out of the speakers on their ferociously live-sounding seventh record.

The Cardiff seven-piece feel more comfortable with their identity than ever before on their seventh LP, a culmination of all the band’s genre experimentation over the past two decades.

The Melbourne duo opt for the less-is-more approach to heartfelt lyricism and layered instrumentals to deeply affecting results on their all-too-brief second record.

On their second album, Josh Shaw channels the momentum of emotional turmoil into a vibrant, propulsive musical feat with a bigger, bolder sound than their debut.

After a five-year wait, the French blackgaze duo explore the gamut of human emotions as they clear the high bar they’ve set for themselves on their six previous post-metal releases.

More punk in spirit than in sound, the Chicago group’s lo-fi debut is endearing if also a bit impatient as they keep things loud, fast, and heavily distorted.